Model Rail (UK)

Windmill Terminal

Paul Rolley’s masterclas­s in using simple techniques to create something that’s far more than the sum of its parts.

- Words: MIKE HARRIS

Paul Rolley describes ‘Windmill Terminal’ as a “very simple layout”, but I’m not buying it… How can a model railway that’s as beautifull­y realised as this be considered simple? And yet, as Paul reveals his method, I’m forced to backtrack - his modesty is well founded. The model represents the chemical plant in Barry, South Wales, and is arguably one of the most realistic modern image layouts you’re likely to see. It’s also proof that realism doesn’t have to involve pinpoint accuracy and complicate­d modelling methods.

COPYCAT MODELLER

Paul is adamant that if you’re striving for model making simplicity, the best place to start is by building a prototypic­al location: “It’s easier to model a real place,” he says. “You can go out and take hundreds of photograph­s - you just can’t beat first-hand experience and your own photograph­ic reference.” And if you choose to model a building or location that’s nearby, you have the opportunit­y of visiting whenever you need to check something. Luckily for Paul, he passes the chemical plant on his way to work, so sourcing images and maintainin­g the inspiratio­n was never a problem. Even the panoramic back-scene is a photograph of the real backdrop. “It was taken on a Sunday morning,” says Paul. “I took about 20 photograph­s, each overlappin­g by about 20% so as not to miss anything out.” If you’re wondering what vantage point he used to capture such imagery, Paul clambered atop his van. In the interests of safety, Model Rail advises you not to do that!

LOW STOCK

The realistic nature of the layout does mean that Paul’s choice of stock is limited if he is to run the layout prototypic­ally. “As per the real location, the whole

I MADE NO ATTEMPT WHATSOVER TO CREATE A REALISTIC CHEMICAL PLANT. THE LAYOUT’S OBJECTIVE IS TO RETAIN A VIEWER’S ATTENTION FOR THREE TO FOUR MINUTES

layout operates on the premise that only one train runs per day, and it’s a container train,” explains Paul. “Because of this, some people may find it slightly lacking in terms of action.” But thanks to the explosion of micro layouts on the exhibition circuit, layouts which feature only one or two forms of motive power are now commonplac­e, and besides, ‘Windmill Terminal’s’ charm is in its scenery, which includes that stunning chemical plant centrepiec­e. The container train itself is either a Class 66 or Class 60 in EWS livery. As shown in the photograph­s, the

layout used to accommodat­e a shunting locomotive, either a Sentinel 0-4-0DM, ‘09’ or ‘08’. However, the real terminal has since tasked the main line locomotive with shunting duties, and Paul has followed suit.

ODDBALL

Eagle-eyed readers may have noticed a small Trackmobil­e railcar mover. It’s an ‘HO’ Broadway Limited model, with a Burlington Northern Santa Fe Railway emblem. At one time, a Trackmobil­e unit did operate at the chemical plant, and Paul still uses it today to add variety. “It’s DCC fitted,” says Paul. “But it’s too small for me to install a ‘stay alive’ unit inside, so it has to shunt at speed when clearing the crossing.” Paul has faithfully recreated ‘66’ 66050 EWS Energy, and was lucky enough to get within feet of the prototype to source imagery. He explains: “For the train to reach the container terminal, it has to cross several public highways, so the locomotive runs right across the streets - something you often see in America. Because of this, I was able to shoot and snap some excellent video and photograph­y.”

 ??  ?? Paul has his backscenes profession­ally printed. This one consists of three separate sheets, stuck onto an MDF and plywood frame, using adhesive mounting spray.
Paul has his backscenes profession­ally printed. This one consists of three separate sheets, stuck onto an MDF and plywood frame, using adhesive mounting spray.
 ??  ?? Main: One of the trains comes from the Alps and is laden with 20ft containers. Paul has been unable to source these, so representa­tions of 30ft containers have been used instead.
Left: Not only does vegetation obscure the fiddleyard entrance, but it...
Main: One of the trains comes from the Alps and is laden with 20ft containers. Paul has been unable to source these, so representa­tions of 30ft containers have been used instead. Left: Not only does vegetation obscure the fiddleyard entrance, but it...
 ??  ??
 ??  ??

Newspapers in English

Newspapers from United Kingdom