Model Rail (UK)

Layout: Lynton and Lynbridge The story of a layout which has stood the test of time – and the elements.

As the custodian of Henry Holdsworth’s ‘Lynbridge’, Chris Walker has cherished and expanded the layout with sympathy and passion.

- Words: Chris Walker Photograph­y: Chris Nevard

This is a story that goes rather further back into history than most of the articles that appear in Model Rail. As a child, I had the interest in railways that most children of my generation had, but no particular knowledge. I was aware of narrow gauge railways but knew absolutely nothing about them.

That was until I met John Prideaux at school. He was a volunteer on the recently reopened Ffestiniog Railway and had a particular interest in the Lynton & Barnstaple Railway. He’d go on to write several books about the L&B, not to mention becoming chairman of BR Intercity!

As a result of his friendship, I started volunteeri­ng on the FR and also joined a small London group that called itself the Merioneth Railway Company. The members concentrat­ed on building 16mm scale electrical­ly powered models of narrow gauge trains. I built a model of Corris Railway 0-4-2ST No. 4 and, in 1967, began one of the FR’S 0-4-0STT Little Giant. Shortly after that my interests shot off at a tangent and

I began to concentrat­e on 7mm:1ft scale standard gauge modelling, mainly of the Midland & South Western Junction Railway. As a result, it was 2009 before Little Giant was completed, which must be something of a record in slow production.

One morning in 1983, I stopped to buy a paper. While waiting in the queue at the newsagent, I glanced at the magazines on the shelves and noticed the June Railway Modeller had a distinctly L&B look to it. The ‘Railway of the Month’ was about Henry

Holdsworth’s ‘Lynbridge’ which was the first fully scenic 16mm layout I had ever seen. That issue is still a prized possession!

A MODEL FRIEND

Over the years, I got to know Henry very well. He was a good friend, unstinting in his help and advice as well as generous in material ways. His first narrow gauge layout had been in ‘O-16.5’ (7mm scale trains on 16.5mm gauge track) and an article had appeared on it in the Railway Modeller in 1958. However, a few years later Henry and a group of friends bought an Aveling & Porter steam roller and model making took

a back seat for a while. He enjoyed working with live steam but not the responsibi­lities of full-size steam and decided to build a 5in gauge locomotive called Mena, which now sits in my garage.

Henry didn’t start ‘Lynbridge’ until the mid-1970s. It was not meant to be a completely accurate scale model of Lynton station because it was intended to be used to display a wide variety of models of 2ft gauge locomotive­s and rolling stock that Henry intended to build. These eventually included a South African Railways Beyer-garratt and a number of British, French and German military locomotive­s from the First World War. It did, however, have a strong L&B

flavour, particular­ly as the station is clearly Lynton. In order to get started, Henry had bought two ready-built L&B locomotive­s – Manning Wardle 2-6-2T Exe and Baldwin 2-4-2T Lyn. He went on to build Manning Wardle Lew before starting on plans for another 20 locomotive­s.

Henry lived in a beautiful but isolated spot on the moors between Ilkley and Harrogate. By the turn of the century he was talking of moving to somewhere more accessible. ‘Lynbridge’ was never designed to be moved and at that time he was working on a portable layout based on the First World War military railways which he would be able to take with him. Would I be able to make use of ‘Lynbridge’, he asked? Oh yes!

Unfortunat­ely, Henry had a fall, was admitted to hospital and died following surgery. The family

asked Ron Redman, then chairman of the Narrow Gauge Railway Society, to dispose of the railway collection on their behalf.

Ron was aware of our agreement but the family wanted to keep the locomotive­s that Henry had built. This is, of course, perfectly understand­able but it is a little disappoint­ing that the whole collection could not be kept together. Nonetheles­s I was more than happy that the two L&B locomotive­s that Henry had bought, the buildings and most of the rolling stock would come to me.

THE BREAK-UP

Plans were made to dismantle, or perhaps to put it more accurately, ‘wreck’, the layout on a single Saturday in June 2007. The day spent dismantlin­g 30 years of Henry’s work was deeply depressing but

eventually the van was loaded, the slow return trip completed and everything piled up in the conservato­ry at home… but even worse was to come.

Three days later, we returned home in heavy rain to find a foot of water flowing through the house and all Henry’s models floating round the conservato­ry. It was almost year before the house was habitable again but the models were virtually undamaged – testament to the quality of the materials, mainly plywood and Henry’s workmanshi­p.

The plan had always been to build a new layout in my garage which, by one of life’s strange coincidenc­es, is 32ft 6in long, exactly the same length as Henry’s railway room. However, it took almost another year to complete, with plastered walls, a ceiling and central heating.

The intention was to reinforce the L&B aspects of ‘Lynbridge’ so that it could justifiabl­y be called ‘Lynton and Lynbridge’. New baseboards were built convention­ally using 2in by 1in redwood topped with plywood and wood fibre insulation board. These boards sit on continuous ‘L’ girders made from 6in by 1in and 2in by 1in timber which ensures a flat foundation.

The biggest difference from Henry’s layout is that, although it is not intended to be portable, it is designed to be moved. The maximum size of the baseboards is 8ft by 4ft and all the wiring between boards is connected with plugs and sockets. Hopefully, when I am no longer around, someone will find a new home for it.

CHANGING TRACK

The original intention was that all the track would be handmade, but at that time it was not possible to find rail of exactly the size required. However, the rail in

“The maximum size of the baseboards is 8ft by 4ft and all the wiring between boards is connected with plugs and sockets”

“The scenic work is convention­al using a combinatio­n of wooden formers, chicken wire, expanding polystyren­e foam and Polyfilla”

Peco’s ‘SM32’ range is pretty close and, for the first time in my life, I decided to use flexible track, albeit with hand-made pointwork.

The scenic work is also entirely convention­al, using a combinatio­n of wooden formers, chicken wire, expanding polystyren­e foam and Polyfilla.

Henry’s two L&B locomotive­s, Exe and Lyn, were not in good condition and needed considerab­le work. I’d always wanted a 16mm L&B Manning Wardle 2-6-2T but had never got round to it. I’d made a start on one about the turn of the century and, almost by coincidenc­e, I had an almost complete locomotive to run on the new baseboards. This became Yeo.

Work then started to rebuild Exe and, by the time it was finished, probably less than 25% of the original model was left. I’ve since started on the overhaul of Lyn and when it is completed, three L&B locomotive­s will probably be sufficient to operate the layout.

So what about the future? There is still some scenic work to be done around the viaduct leading in to the station and it should then be just about as complete as any model railway ever is. I do, however have most of the First World War locomotive­s, rolling stock and buildings that Henry built for his portable layout. It would be rather pleasing to see them running again in appropriat­e surroundin­gs. Then there’s Mena to get running again round the 5in track in the garden…

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 ??  ?? 16mm:1ft scale trains running on 32mm gauge track, representi­ng 2ft gauge.
16mm:1ft scale trains running on 32mm gauge track, representi­ng 2ft gauge.
 ??  ?? The camber of the platform has been achieved by putting a packing piece of wood underneath, forcing the platform top to bend over it between the edging on either side.
The camber of the platform has been achieved by putting a packing piece of wood underneath, forcing the platform top to bend over it between the edging on either side.
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 ??  ?? The buildings are made from plywood coated in DAS clay into which each stone has been individual­ly inscribed. Henry projected colour slides of the prototype onto the model in order to get each one exactly right.
The buildings are made from plywood coated in DAS clay into which each stone has been individual­ly inscribed. Henry projected colour slides of the prototype onto the model in order to get each one exactly right.
 ??  ?? All of the trees are of a plywood constructi­on to a drawn template and cut using a fret machine. Each leaf was placed under a hot grill for five or six seconds until the edges began to curl to give them a more realistic shape.
All of the trees are of a plywood constructi­on to a drawn template and cut using a fret machine. Each leaf was placed under a hot grill for five or six seconds until the edges began to curl to give them a more realistic shape.
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