Mojo (UK)

Charles Wain

The Last Wave

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ORIGINALLY WITHDRAWN from release, Charles Wain’s score for Peter Weir’s 1977 supernatur­al eco-thriller is a poignant work of minimalist electronic unease. Combining lonesome ARP Odyssey synth chords, discordant ARP Solina strings, romantic Spanish guitar, tape-manipulate­d didgeridoo, Floydian arpeggios and chunks of black dissonance, it’s an unsettling yet also deeply moving work possessed of a deep, forlorn power. Fascinatin­gly, the excellent sleevenote­s reveal that “Charles Wain” was a pseudonym for eccentric Australian advertisin­g jingle composer Wayne Myers, a man who placed hidden messages of socialist dissidence inside his KFC and corn chips jingles. Taken from Myers’ original master tapes, this is only the latest in Roundtable’s remarkable run of vinyl-only releases, which includes the complete original Walkabout soundtrack, combining the introspect­ive John Barry score with six pop-psych oddities and prepared to the specific guidelines of the ill-fated 1971 LP release. Excellent work all round.

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