Mojo (UK)

THE 75 BEST ALBUMS OF 2022

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10 FONTAINES D.C. Skinty Fia (PARTISAN)

“I always dreamed as a teenager of making three great albums, like Nirvana had,” Fontaines D.C.’s Conor Deegan told MOJO. “Now we’ve done that, I don’t really mind what we do.” Skinty Fia marked three MOJO Top 10 albums in four years for the Dublin quintet, as they developed their post-punk sound into something unostentat­iously anthemic, while never losing any of their relatabili­ty or poetic intensity. A model of how an old-fashioned rock band could grow in challengin­g times. Standout track: Jackie Down The Line

5 ARCTIC MONKEYS The Car (DOMINO)

“It’s definitely not just four people playing indie music any more,” bassist Nick O’Malley told MOJO last month, emphasisin­g the intriguing complexiti­es of the biggest British rock band of their generation. Away from the festival moshpit, Sheffield flâneur Alex Turner and his cohorts continued to disdain riffery on their magnificen­t seventh. Instead: Curtis soul, Scott 4 drama, ravishing orchestrat­ions and, from Turner, a droll, nuanced cinematogr­apher’s eye for detail. Standout track:

Body Paint

9 DRY CLEANING Stumpwork (4AD)

As with Fontaines D.C., a high MOJO placing for Dry Cleaning’s second album, Stumpwork, showed how major talents were now consolidat­ing out of the recent UK post-punk glut. Florence Shaw’s spoken-word reveries continued to be weird, gripping and hypnotic – “People say, ‘You’re like the woman on the satnav,’” she told MOJO – but the music was subtly richer, too, with warm Johnny Marr jangles to illuminate the Sonic Youth gridwork. Oh, and that sleeve… Standout track:

Hot Penny Day

4 HORACE ANDY Midnight Rocker (ON-U SOUND)

The journey from Studio One in Kingston, Jamaica to Ramsgate, Kent, proved smoother than most would’ve anticipate­d, as reggae’s most seraphic voice conspired with UK dub don Adrian Sherwood for a timeless album of roots. Old Studio One sides were revisited, fellow travellers covered (Safe From Harm, a Massive Attack tune not sung by Andy), for Andy’s best album in 40-plus years – and the dub version, Midnight Scorchers, was every bit as good. Standout track:

Try Love

8 JACK WHITE Fear Of The Dawn (THIRD MAN)

A bountiful year for White fans saw two terrific new LPs, with the rootsy and relatively convention­al Entering Heaven Alive swiftly following this energetica­lly eccentric fourth solo set. The wild ideas kept coming on MOJO’s preferred Fear Of The Dawn: rap-metal! Dub! Q-Tip! William Burroughs and Manhattan Transfer samples in the same track! Even garage rock! But, crucially, White’s experiment­ation was tightly packaged too, aligned to some of his sharpest tunes in years. Standout track: Morning, Noon

And Night

7 BILL CALLAHAN (DRAG CITY)

Long-term Bill Callahan addicts will have adjusted to his late-flowering openness and beneficenc­e by now, ushered in by 2019’s Shepherd In A Sheepskin Vest. Still, his third album after becoming a father was striking in its stated aim to “rouse people”, as Callahan artfully transcende­d ruminative states – and added horns as he went – to produce genuinely uplifting songs like Natural Informatio­n. As skilled, wise and quotable as ever, but with bonus good vibes. Standout track: Partition

3 DANGER MOUSE & BLACK THOUGHT Cheat Codes (BMG)

“We made this record for people from a certain place and time who identify with specific aesthetics,” Roots MC Black Thought told MOJO – people, perhaps, with a profound love of rap but a wariness about its contempora­ry form. For his return to hip-hop, Danger Mouse saturated Cheat Codes in vintage samples – Gwen McCrae, Hugh Masekela – creating the perfect soundbed for Black Thought’s uninhibite­d flow. Old school reinvented for 2022. Standout track:

No Gold Teeth

6 SUEDE Autofictio­n (BMG)

Suede’s effective knack of transcendi­ng ’90s Britpop nostalgia was reinforced by album nine, boldly trailed by frontman Brett Anderson as their “punk album”. Autofictio­n, in fact, followed a plausible alternativ­e trajectory they could have taken in the mid-’90s – an urgent, heroic and gothically-attuned take on guitar rock informed by PiL, The Chameleons and even The Cult. High drama ensued, of course, but with gritty verité detailing rather than pantomime self-parody. Standout track:

She Still Leads Me On

2 WET LEG Wet Leg (DOMINO)

What lurked beyond the Chaise Longue? Could 2021’s peculiar one-hit wonders turn out to be the breakout new stars of 2022? Wet Leg’s apparently effortless way of nailing the latter scenario hinged on this exceptiona­l debut album, where their unforced Isle Of Wight surrealism and post-Breeders antics turned out to be just as much fun over 37 minutes. Sometimes poignant, too: there was a lot more to Wet Leg than buttered muffins. Standout track:

Too Late Now

JAZZ Compiled by ANDY COWAN

1 BINKER & MOSES Feeding The Machine (GEARBOX) 2 TUMI MOGOROSI Group Theory: Black Music 3 (MUSHROOM HOUR HALF HOUR) ROBOCOBRA QUARTET Living Isn’t Easy (FIRST TASTE) 4 SARATHY KORWAR KALAK (THE LEAF LABEL) 5 MAKAYA MCCRAVEN In These Times (XL) 6 SHABAKA HUTCHINGS Afrikan Culture (IMPULSE!) 7 LAMPEN Lampen (WE JAZZ) 8 CÉDRIC HANRIOT Time Is Color (MORPHOSIS ART) 9 NDUDUZO MAKHATHINI In The Spirit Of Ntu (BLUE NOTE) 10 ALABASTER DEPLUME GOLD (INTERNATIO­NAL ANTHEM)

AMERICANA Compiled by SYLVIE SIMMONS

1 MAVIS STAPLES & LEVON HELM Carry Me Home (ANTI-) 2 WILCO Cruel Country (DBPM) 3 AMANDA SHIRES Take It Like A Man (ATO) 4 DRIVE-BY TRUCKERS Welcome 2 Club XIII (ATO) 5 MALCOLM HOLCOMBE Tricks Of The Trade (NEED TO KNOW) 6 FATHER JOHN MISTY Chloë And The Next 20th Century (BELLA UNION) 7 MOLLY TUTTLE Crooked Tree (NONESUCH) 8 STEVE EARLE & THE DUKES Jerry Jeff (NEW WEST) 9 MARGO CILKER Pohorylle (LOOSE MUSIC) 10 MIDLAKE For The Sake Of Bethel Woods (BELLA UNION)

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 ?? ?? Getting the Fear: Jack White is energetica­lly eccentric on his fourth solo LP.
Getting the Fear: Jack White is energetica­lly eccentric on his fourth solo LP.

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