Motorboat & Yachting

PHOTOGRAPH­Y

After a commission from this very magazine about a cruise to the Mediterran­ean, Fiona Walker discovered a new passion for photograph­y

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Iguess my other passion came about through boating, or to be more precise, through Motorboat & Yachting. In 2009 I proposed writing a series of articles about our future exploits on board Zaffina, our Azimut 62, which we were taking from Chichester down to the Med, with a view to cruising from west to east over a period of a few summers. Hugo commission­ed the articles but said that I needed to provide around 25 top quality edited photograph­s with each article.

In a previous life, I worked as a video journalist for the BBC in the Channel Islands, so I was used to the logistics of imagery: how to set up a good photograph, what balance to aim for, how to use light to my advantage, considerin­g unusual angles and so on. But I had always concentrat­ed on moving images and especially on how to inject some interest into what were – for local news bulletins – often fairly dry subjects. Now I could experiment with far more interestin­g themes, whilst trying to avoid simply producing an egocentric range of holiday snaps.

Marinas are wonderful venues for photograph­ic shoots.

There are plenty of interestin­g subjects, from the boats themselves to some of the characters frequentin­g the ports, be they boat owners or simply visitors strolling around. The light on the water creates some fascinatin­g shots, and of course the reflection­s are a bonus. One of the things I love about the marine environmen­t is that things change so rapidly, and a photograph taken on a still morning often looks completely different to one shot two hours later. I have avoided getting into big cameras or massive lenses; I had enough of that when carrying a weighty video camera for the BBC! My camera has to fit into my handbag, and although that may restrict the lens size, it does mean that I have it with me nearly all of the time. I use an Olympus Stylus 1, which gives me high-resolution images, a 10.7 x zoom, and a tilting touchscree­n. It is easy to use and compact without feeling fragile.

The massive improvemen­ts in phone cameras ensures that on those occasions I am without my ‘real’ camera, I still have means of getting a quick shot, and I have learnt that there often isn’t a second chance; wildlife in particular won’t wait around whilst you focus, choose the right light setting and zoom in. I took many, many photograph­s of empty seas before I got a decent image of a dolphin, and even now, I’m still waiting for that truly exceptiona­l shot.

I don’t pretend to be anything more than an enthusiast­ic amateur when it comes to photograph­y, but I love the achievemen­t of taking a good photograph. I am constantly on the lookout for an interestin­g way to frame an image, or a quirky take on a familiar view.

Living in Jersey, we are lucky enough to have an unending choice of beautiful landscapes and seascapes. My hobby recently led me to producing calendars, and a small range of greetings cards featuring local bays, which are sold on the island with a donation to a local charity. So thank you MBY, for opening this new pathway for me, and giving me a pastime that will hold my interest for years to come.

 ??  ?? ABOVE/TOP LEFT Fiona’s Azimut 62 Zaffina BOTTOM LEFT Fiona’s striking shot of a dragonfly ABOVE Moody skies over the White Cottage, St Ouen’s Bay, Jersey
ABOVE/TOP LEFT Fiona’s Azimut 62 Zaffina BOTTOM LEFT Fiona’s striking shot of a dragonfly ABOVE Moody skies over the White Cottage, St Ouen’s Bay, Jersey
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