Nottingham Post

Technicolo­r virtuosity

- By WILLIAM RUFF

UP until now you could wait an entire concert-going lifetime and never hear a saxophone soloist in a classical concerto. But how that has changed since young Jess Gillam burst on to the scene in that amazing BBC Young Musician Final when she was up against horn player Ben Goldscheid­er and our own Sheku Kanneh-mason.

Jess crackled with charisma even when playing something as fragrantly delicate as Debussy’s Rhapsody in which she demonstrat­ed the range of colour the saxophone can produce. Conductor Ben Gernon also coaxed some wonderfull­y exotic sounds from the BBC Philharmon­ic. In the Glazunov Concerto, Jess was equally adept at capturing the dark, soulful melancholy of the opening as she was in the high-spirited conclusion.

The concert opened with the suite from Bartok’s Miraculous Mandarin, originally written to accompany a still shocking ballet about a girl used by thugs to lure men to be robbed and killed. Not surprising­ly this isn’t pretty music and the ugly city noises which open the suite grab listeners by the throat. Bartok demanded virtuosity from every section of the orchestra to create his music’s shattering impact. Gernon ensured that the BBC Phil delivered.

Tchaikovsk­y’s 5th Symphony ended the concert (still available on the iplayer). Like so much of the composer’s music it is full of memorable tunes wrapped in colourful orchestrat­ion. The brooding presence of relentless Fate is heard throughout a symphony which also boasts a glorious horn solo, a gracious waltz and a finale which glows with noble defiance as the music battles against Destiny and emerges triumphant. The BBC Phil packed a powerful punch, relishing the music’s epic sweep and pulse-quickening, Technicolo­r drama. The audience loved it.

 ??  ?? Jess Gillam
Jess Gillam

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