Octane

OVERDRIVE

- really

Fulfilling a dream by driving a Jalpa, scratching a 240Z itch and testing two very different Mercedes

It was one of those planets-falling-into-alignment things. An email came from Visit Cascais, the tourist authority trying to make up the visitor shortfall in this beautiful Portuguese region north of Lisbon since F1 and Moto GP left the now-state-owned Estoril circuit. (I love Estoril. It has a wonderful atmosphere, perfect for classics; give me half-an-hour and a Lotus Elan…) Anyway, with three classic events on the calendar – an impressive concours in Cascais organised by Adelino Dinis, an historic rally and the historic racing festival at Estoril including historic F1 – all parties were persuaded to combine and create Estoril Classic Week. Catchy.

And they wanted me to come and see what it is all about. As well as those three core activities, they were laying on a half-day drive in a classic car. So I replied and asked what cars might be available for me. Back came a link that, to my surprise, took me straight to an old friend’s website.

Fabrice le Roy started Rentacarcl­assic a decade ago in Nice with just a handful of classics, has since opened a second bureau in Monaco, and is planning a third base – his first not on the Riviera – in Cascais. There’s now a fleet of 50-plus cars, the company name has been tweaked to Rentaclass­icar, and when I contacted him his transporte­r was loaded up with the first ten cars of a 30-strong delegation heading for Cascais. He sent me a phone snap and several of the cars took my fancy but, of all of them, one grabbed my attention: a Lamborghin­i Jalpa.

This was the third element of planetary alignment, you see. Although we are living in a very different classic environmen­t now, 15 years ago there were expensive classic Lamborghin­is (Miuras, 300 and 400GTs and early Countachs), cheap Lamborghin­is (Urraco, especially the 250, Espada, and LM002), middling Lamborghin­is (later Countachs, Islero and the then-modern classics such as Diablo) and then a trio of forgotten Lamborghin­is: the Jarama, the Silhouette (there were just 54) and

the Jalpa. This V12- and V8-powered trio were lodged in the £17,000-22,000 bracket and dealer Ian Grange had a couple sticking at the lower end of that scale.

I wanted a Jalpa because it was more stand-out than the Ferrari 308 it was built to challenge (but palpably didn’t), looked a bit like a Pantera (thanks Bertone), and promised to be a comfortabl­e, usable GT rather than the motoring masochism Sant’Agata usually specialise­s in. But I was a chicken. Now I could find out whether I was a stupid chicken or a wise one. Fabrice made sure the Jalpa had my name on it.

I first meet the car in the marina at Cascais, which seems wholly appropriat­e because there is a lot of Miami Vice about its demeanour. In bronze and largely made out of plastic, with a two-tier plastic dashboard, Old Kent Road column stalks and Park Lane leather, it is as 1980s era-defining as anything else you are likely to see.

To start, two pumps on the gas, hold it down about three inches, turn the key, then the 3.5-litre V8 fires and settles. Yes, the clutch is agricultur­al, but the heavy yet deliberate gearshift becomes reassuring with speed and purpose.

Once you get into the zone, in no small part thanks to gorgeously weighted steering, the Jalpa is a delight to drive, trickling through town as comfortabl­y as it launches itself at a series of lacets up a mountain while spitting contempt at the Alfa Romeo behind. More Pantera traits: it’s almost as if Lamborghin­i used it as a template.

From Cascais we head towards Sintra and, the higher we rise above the plateau and sea, the better the driving into the amazing national park, where you have to tiptoe around the potholes and cyclists. Then back down the mountain to the most westerly point on Contintent­al Europe at Cabo da Roca, via some roads used in many a car launch and therefore familiar to many car magazine readers.

The last part of our tour follows the coast along the breathtaki­ng N247 back to Cascais. We’ve had speedy straights, sweeping corners, hairpins, steep climbs and dramatic drops – the lot, and, Targa roof tucked away, my biggest concern in the Jalpa has been the amount of attention we’ve received from the surfing community at Guincho. Yes, it’s analogue and yes it is a bizarre mix of opulence and cornercutt­ing, but it is a real feelgood – and sound-good – car.

If you consider that the Gallardo was the product of German philosophy then the 400-off Jalpa was the most sensible car Lamborghin­i (proper) ever built, yet without compromisi­ng the driving pleasure. Once home I instantly googled Jalpas for sale. And then Silhouette­s. And then Jaramas (even though it has four more cylinders).

Regrets? Quite a few.

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 ??  ?? Far left, left and below Cascais harbour, where Elliott does his best Sonny Crockett; ‘more stand-out than a Ferrari 308’; not a bad selection of classics to choose from at Rentaclass­icar.
Far left, left and below Cascais harbour, where Elliott does his best Sonny Crockett; ‘more stand-out than a Ferrari 308’; not a bad selection of classics to choose from at Rentaclass­icar.
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