Ter­ror-filled trip back to the 80s

Paisley Daily Express - - The Ticket -

young cast are the per­fect mix of fear, fun and fury in and the late-1980s set­ting en­sures more than a few favourable com­par­isons with hit TV show Stranger Things.

Fit­tingly, it also evokes me­mories of King’s own Stand By Me and every one of the seven kids are given their time to shine as they act in the fash­ion you’d ex­pect them to, rather than as stereo­typ­i­cal fa­cades.

Like many of the Blum­house stu­dios’ out­put of hor­ror movies, di­rec­tor Andy Muschi­etti (Mama) makes use of tra­di­tion­ally in­no­cent props and ob­jects and fills them with ter­ror; the pro­jec­tor scare is one of the film’s finest.

Chase Palmer, Cary Fuku­naga and Gary Dauber­man co-wrote the screen­play and do jus­tice to King’s weighty novel by fo­cus­ing on the child­hood ver­sion of The Losers’ Club.

The plan is for the al­ready green-lit se­quel to shift to the young he­roes as adults, mean­ing the awk­ward time-hop­ping that ex­isted through­out the 1990 adap­ta­tion is kept to the bare min­i­mum.

Muschi­etti doesn’t scrimp on blood and gore, but wisely chooses an abun­dance of ten­sion and drawn-out chills over sev­ered limbs and stalk-and-slash pur­suits.

Like the orig­i­nal It, though, the end­ing doesn’t quite live up to the qual­ity build-up.

Even know­ing a fol­lowup is on the way, the fi­nal con­fronta­tion be­tween The Losers’ Club and Pen­ny­wise can’t help but fall a lit­tle flat.

Thank­fully it’s a mi­nor hur­dle in the road on what is a speedy, slick, scary thrill ride which gives clowns a whole new bad name.

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