Portsmouth News

Making virtual waves for the best in film-making

Making Waves Internatio­nal Film Festival will be highlighti­ng the best in short film-making, both near and far, in its ninth outing.

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The Oscars may have been pushed back to the end of April this year, but fret not, film fans, we have something before then a little closer to home.

The Portsmouth-based Making Waves Internatio­nal Film Festival is back this April, albeit in a scaled down edition.

This year’s annual Making Waves Short Film Awards will be a virtual event with screenings on Friday and Saturday April 1617 with the winners announced on the Saturday.

Now in its ninth year, MWIFF is Portsmouth’s annual film festival and short film competitio­n celebratin­g innovative and bold filmmaking

Shortliste­d films for the Best Local Film (Solent Region), Best National Film, and Best Internatio­nal Film will all be screened.

The selection has been made by a panel of filmmaking judges that includes Ali Rasoul, who is experience­d in working with top brands Pretty Little Things, Adidas and Nike; Kirsten-Ria a content creator and presenter on Whatcultur­e; University of Portsmouth’s senior teaching fellow Neil Hunt specialisi­ng in short film, and Rebecca Bellinger, a lecturer in film production.

One of the entrants in the national short film competitio­n is The Moon Lamp, written and directed by Alsie Hua. She came to the University of Portsmouth as part of an exchange programme with her home institute, The Beijing Film Academy.

The poignant, 10 minute film, tells the story of a young lad who must face up to the truth.

The 21-year-old says: ‘We have a course in fiction film, and we need to complete a short film.

‘We had three Chinese students, also from Beijing Film Academy, so we naturally became a team and we talked about how to shoot this short film and I got the idea from an experience from my childhood.

‘They thought it was a good idea so we worked on it.’

She found seven-year-old Brian, the character of the son, through a site for profession­al actors, and the film was shot around Portsmouth last February.

‘We'd just finished shooting before lockdown, we were very lucky. We had no idea what was coming. Then it was about a month in post-production, with the editing and sound design.’

The exterior scenes are recognisab­le to anyone familiar with Portsmouth – they used Castle Road in Southsea and a bench on the waterfront in Old Portsmouth (pictured on the front). And they also used the Castle Road shop Revive Interiors for a key scene.

‘We found a store and I asked: Can I rent this place for one day so I can shoot some film?" And she was very kind – she said you don't have to give me the money.’

Ever the perfection­ist, Alsie says of the finished film: ‘I think it's okay

– it could be better, to be honest, but I'm very happy with it. It's my first work shooting in the UK.’

As with so many other events, MWIFF has been hit by the pandemic. Last year’s event was bumped to this January and then April, in the hope restrictio­ns would have lifted by now.

Roy Hanney, Making Waves’ festival director says: ‘We had a whole programme – we had feature film screenings, workshops, BFI talent networks – but around about October it became clear this was just not going to happen and we either had to move everything online, or shift it.

‘Everyone involved – which is quite a lot of young people, students at either Portsmouth or Solent, or graduates from film courses around here – they all said we want to have a real live festival.

‘So we shifted it to April with great hope, and it became apparent it wasn't going to happen. No6 Cinema's not going to be open, so we can't have our feature film screenings, and the venues we would have worked with like The Wedgewood Rooms, aren't open.

‘We thought could we do our network events online, and to be honest, there have been lots of networking events which have been very good online, but we wanted to do it in a real space.

‘But during a difficult year for filmmakers, we have been delighted by the quality and range of films submitted to the Making Waves Short Film Competitio­n.

‘Unable to run screenings in a venue, we are instead inviting all of our filmmakers from around the globe, across the UK and around the Solent to join us for the awards ceremony online.

‘This evening promises to be a great opportunit­y for our audiences and filmmakers to get involved and toast the winners of the 2021 awards.’

The MWIFF team, who are all volunteers, still hope to hold further events later in the year when restrictio­ns are lifted.

Among them will be a screening of Real, the directoria­l debut of actor Aki Omoshaybi, who grew up in Portsmouth and shot the film here.

■ The Internatio­nal Short Film Screening will take place on Friday, April 16 at 8pm.

Film highlights include uncanny animated tales of loss and desire, speculativ­e sci-fi to rival Black Mirror, graveside comedy, planet-hopping cowboys and a garden shed in space!

■ The National & Local Short Film Screening will run on Saturday, April 17, at 7pm.

Its highlights include an imaginativ­e film shot during lockdown of a break-up between two lovers, a boy who realises his mistake too late and a film about two strangers who share magical abilities. ■ The 2020 Making Waves Short Film Awards will take place on April 17, from 8pm.

All events are free. Screenings will be hosted live on YouTube. The Short Film Awards will be hosted on Zoom.

Links will be available on makingwave­sfilmfesti­val.com.

We'd just finished shooting before lockdown, we were very lucky. We had no idea what was coming

W e have been delighted by the quality and range of films submitted to the MWIFF competitio­n

 ??  ?? Front page: Shooting The Moon Lamp in Old Portsmouth.
Front page: Shooting The Moon Lamp in Old Portsmouth.
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 ??  ?? Mainpictur­e:Astillfrom­TheMoonLam­p.Clockwisef­romtopleft: The Moon Lamp’s director Alsie Hua; The Moon Lamp’s cast and crew; To My Younger Self – National shortlist; Malakout – Internatio­nal shortlist; on the set of The Moon Lamp; from The Moon Lamp. Below left: How Can I Forget – National shortlist. Below: Talent – Internatio­nal shortlist.
Mainpictur­e:Astillfrom­TheMoonLam­p.Clockwisef­romtopleft: The Moon Lamp’s director Alsie Hua; The Moon Lamp’s cast and crew; To My Younger Self – National shortlist; Malakout – Internatio­nal shortlist; on the set of The Moon Lamp; from The Moon Lamp. Below left: How Can I Forget – National shortlist. Below: Talent – Internatio­nal shortlist.

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