Prog

TEMPLES ON MARS

- CHRIS MCGAREL

VENUE THE BLACK HEART, LONDON

DATE 27/01/2018

As someone once sang, ‘Making your way in the world today takes everything you’ve got.’ Well, making a name for yourself in today’s online world takes a bit of doing too. Picking a distinctiv­e band name that will allow people to find your music has never been more important. Prog metallers Agent have decided not only to change their generic-sounding name, but have undergone a line-up change and taken a slightly different musical direction.

Tonight, Agent relaunch their career as Temples On Mars with this debut performanc­e, ahead of the spring release of their self-titled first album. Gods & Kings is a promising start.

Agent always had a knack for writing a hook or two, as evidenced on their 2013 album Kingdom Of Fear, but this sounds more streamline­d, more urgent, while keeping the metallic edge.

Frontman James Donaldson is having a blast, giving it all the rock star bravado he can muster. He gestures to the slightly reticent crowd to come forward, which has the effect of splitting the audience in two – those who are into it and those who continue to noisily chat at the back bar. Oh well, their loss.

When Gods Collide shows off a tight, well-rehearsed unit. Drummer Dean

Gibb deserves a lot of the credit for this:

his double-kick work and airtight fills propel the song onwards. This is good stuff, reminiscen­t of the catchy prog metal of long Distance Calling’s recent Trips album.

The wonderfull­y named Suicide By Tiger introduces a different dynamic. Guitarist Gerald Gill employs pianistic two-handed tapping, creating an atmospheri­c backdrop that gradually builds to an anthemic power ballad vibe.

Current single So in love With Your Own Drug has arena rock melodies and an accessibil­ity far beyond the prog sphere. Fans of Muse, take note. it’s a shame, then, that what should have been a clarion call is marred by vocal issues due to in-ear monitor problems.

Daz Carikas’ slap bassline punctuates the heavier Black Mirror, which closes the set. Five songs over the space of half an hour is hardly a definitive representa­tion of what’s effectivel­y a new band, but this has been an encouragin­g first outing. Agent are dead. long live Temples On Mars.

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