Prog

JUDY DYBLE AND ANDY LEWIS

- JO KENDALL

VENUE the union chapel, london

DATE 20/01/2018

It’s cold and grey and everyone’s skint and/or ill. Welcome to January, the worst month for live music anywhere in the Uk, even in the bustling capital.

But what’s this? Free (ish) music? on a Saturday lunchtime? in a warm, accessible venue, with tea and biscuits? Daylight Music is almost a gift from God.

For several years, the promoters at the Union Chapel have put on autumn and winter seasons of pay-what-youlike gigs. This week it’s a triple bill headlined by Judy Dyble’s new project with producer-bassist-DJ Andy Lewis. Bridging a 20-year age gap, their

2017 debut album Summer Dancing united the two in attitude, intellect and psychedeli­c experiment­ation, Dyble’s archive of unfinished lyrics paired with Lewis’ multi-layered arrangemen­ts.

The ‘band’ – Papernut Cambridge men Robert Rotifer and ian Button on acoustic guitar and drums, viola player/ backing singer Alison Cotton from The Left outsides, guitarist/keyboardis­t Pete Twyman and Lewis’ wife Liz on samples and autoharp – have done just three shows in five months. Rehearsals have been minimal, but hey, they’re profession­als, and from the casting of A net of Memories (London) – Petula Clark’s Downtown spiralised by a dreamy melancholy and tinkling folk song – we know we’re gonna be okay.

More than okay. Most who’ve seen Dyble before know she can be a nervous performer, often clinging to her lyric book for comfort. The book’s out, on a music stand, but the venue so suits Dyble’s cut-glass vocal – she’s clearly enjoying the songs and the company – that it’s the band that come over a little tense, careful to not overshadow their star player or blast a bum note.

Lewis does a great job of plucking Herbie Flowers-like bass lines and adding occasional throatines­s (A Message’s heartsore ‘Darlin’ i miss ya’), while gently supervisin­g the ensemble. There’s a Trader Horne cover, velvet To Atone, and a new song, a cover of nick Drake’s northern Sky.

As clap-a-long knees-up The Day They Took The Music Away abruptly ends, it appears that Dyble – now 69, and lately in the Uk album chart with Big Big Train – might be on the form of her life.

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