Prog

CRACK THE SKY

West Virginians’ anthology of re-recorded career highlights goes down a storm.

- NS

The American progressiv­e rock scene presents a conundrum. Prog’s biggest bands enjoyed enormous success Stateside in the 1970s and the pulling power of many endures to this day: just this summer saw the Steve Howe incarnatio­n of Yes play over 30 dates nationwide from coast to coast. However, it’s almost exclusivel­y British prog bands that have drawn the US crowds. Sure, the USA can boast some notable progressiv­e acts – Kansas, Echolyn and Spock’s Beard to name just three – but none beyond the prog metal arena that have come anywhere close to enjoying the continuing global popularity of their British counterpar­ts. For a country whose population dwarfs the UK’s by a factor of five, it all seems a bit disproport­ionate.

There remain plenty of American prog bands toiling away largely under the radar. Foremost among them are West Virginians Crack The Sky, who have been plugging away since the mid-1970s. While their 1975 debut album earned high praise from Rolling Stone – who subsequent­ly included it in their Greatest 50 Prog Rock Albums Of All Time list – and the band toured hard, supporting the likes of Styx,

Rush, Yes and Kansas, breaking through into the big time somehow eluded them. That they continue today with this 12-track retrospect­ive of re-recorded songs from throughout their career probably represents a victory for perseveran­ce over commercial logic.

Crackology is an absolute triumph. In the main, CTS’ material has aged pretty well and the re-recording here of Hold On/Surf City is positively incendiary. Musically, CTS cover numerous bases – one minute there’s the meat-andpotatoe­s rock’n’roll of She’s A Dancer, the next the acoustic honky tonk whimsy of Robots For Ronnie.

For the unacquaint­ed, Crackology is a first-rate introducti­on to CTS. And as solid proof that they aren’t soldiering on purely reliant on old material, the band have also released an adventurou­s new album, Living In Reverse, in parallel with this collection.

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