Rochdale Observer

An affair of the art

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take up art as therapy. He enrolled at the Slade School of Fine Art in Camden later that year, where, he said modestly: “They took me in because everyone else was away at the war.”

A teacher at prep school had already introduced him to the joys of painting. Kyffin later wrote: “Mr Glazebrook was different, for he taught us art and could make trains disappear across bridges and into tunnels in a wonder of perspectiv­e.”

Later, while he was away studying, he wrote: “I first began to draw on my library of memories until I often ceased to be in London as the room became peopled with farmers and sheepdogs, and bounded by stone walls and rocky cliffs.”

Despite being determined to become a profession­al artist, he took a part-time job teaching art at Highgate School in London, rising to become senior art master in 1944.

His first solo exhibition was staged at leading London dealers Colnaghi in 1948, followed by his inclusion in 1949 in the Council of Great Britain’s show “Twenty-five Paintings by Contempora­ry Welsh Artists”.

In 1968, he secured a Winston Churchill Fellowship to travel to Patagonia to spend several months in the community establishe­d by Welsh settlers who had emigrated there in 1865, later donating the paintings and watercolou­rs he made during the trip, to the National Library of Wales.

Further exhibition­s brought him more exposure and a flow of commission­s, notably from eminent Welsh politician­s whose portraits he painted. All of this establishe­d him as an artist of some prominence, which led to him quitting his teaching job in 1973 and returning to Anglesey.

A small cottage on the shore of the Menai Straits was renovated for him by his patron, the Marquess of Anglesey, and he lived there alone – he never married – sketching and painting whatever the weather, his pictures inspired by the mountains and farmland around him.

He was also an accomplish­ed writer. He wrote two autobiogra­phies Across the Straits, published in 1973, which describes his boyhood and youth, and A Wider Sky, dedicated to Lord Anglesey and published eight years later, about his adult years.

He was both witty and acerbic, critical of the Welsh Arts Council which neglected him for many years, and a great raconteur at events supporting young talent and galleries.

He was President of the Royal Cambrian Academy and was appointed a member of the Royal Academy in 1974.

In 1995, he received the Glyndwr Award for an Outstandin­g Contributi­on to the Arts in Wales and was awarded the OBE for his services to the arts in 1982 and a KBE in 1999.

He died on September 1, 2006, aged 88 after a long battle with cancer.

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