Primed for movie magic
With her female heist series set for the big screen, the award-winning writer talks to
about moving on and success in her seventies women, rather than anything else. He was like a sponge. He wanted to know where the women came from, how I’d met them, where I got them from.”
Lynda’s original series and novel (written after the TV series) was classically British, set in London and featuring tough women who had enjoyed the spoils of their husbands’ robberies.
Ann Mitchell played the original female lead Dolly Rawlins, and has a cameo role in the film, as well as voicing the new audio book, while Lynda has dedicated the updated novel to the actress.
The success of Widows effectively curtailed Lynda’s acting career as she turned to full-time writing, both for TV (Prime Suspect, Trial And Retribution, The Commander, Above Suspicion), producing more than 170 hours of international television, as well as a succession of best-selling novels.
She has attended post-mortems, been to mortuaries, befriended detectives and forensic scientists and interviewed prisoners during the course of her research, and in 2013 became the first non-scientist to be awarded an honorary fellowship by the Forensic Science Society.
Her current ebullience is a far cry from her mood last year, when she fell out with ITV executives over the TV adaptation of her Prime Suspect prequel, Prime Suspect 1973, featuring the young WPC Jane Tennison (played by Stefanie Martini).
Lynda walked away from the project, unhappy with the portrayal, changed storylines, cast, and virtually everything else about the series.
“It was probably the closest I came to having a nervous breakdown. It broke my heart,” she says now. “I’ve never been treated so rudely.
“The rage syndrome is hard to deal with when you are insulted at every level, when every actor you bring in is dismissed, every director you suggest isn’t even considered. I hated it. I just had to walk away to take the stress out of my life.”
She followed the advice of a producer she met at a party soon after the furore, who told her: “There is nothing sweeter if you want revenge than success. Don’t waste another second of your life on what might have been. Just go for success.”
Clearly, success is anticipated with the forthcoming Widows movie. She also has an American TV thriller series in the pipeline and another early Jane Tennison novel, Murder Mile, out in August. Lynda beams as she sticks two fingers up in the air and blows a raspberry at her detractors.
And she has had other knockbacks to face. She says her sight has deteriorated since a cataracts operation in January.
“I can’t read. I can’t use the computer light. I can’t move from sunlight to dark. It’s a nightmare.”
She has seen seven eye specialists to date, she says, but to no avail.
“It has affected my work terribly. I have to do tapes and go through it and it’s a lengthy process because of being unable to read. I have to hear it talked back to me all the time, it takes much longer.
“I can only work on the computer for maybe 10 minutes (at a time) and then the eyes weep. It’s like I’m underwater all the time.
“Television is blurred and I have to wear heavy reading glasses if I want to read something, or I use a magnifying glass. It’s very depressing and I keep bumping into things as well.”
She continues: “I would just say to anybody, if somebody says, ‘Have a cataract operation’, do not have them both done together, have one eye done at a time.”
Despite the knock-backs, Lynda remains positive and has no intention of retiring at any time soon.
Her adopted son Lorcan, who is nearly 15, is now a “nightmare” teenager, she jokingly laments (she clearly adores him).
And her long-distance romance with a banker in New York has ended. “I got dumped,” she whispers. “We really had nothing in common. It fizzled, you might say. There were no more calls to say, ‘I’ll be over’.” She’s laughing now.
“I can’t see many advantages to having a partner, truthfully,” she observes wryly. “But if a Clark Gable came along, now there’s a possibility.”