Scottish Daily Mail

Super singing saves these lovers from so many shades of grey

- DAVID GILLARD

Beatrice Et Benedict (Glyndebour­ne Festival) Verdict: Much ado about little for these boxed-in lovers

VERDI was not the only composer obsessed by Shakespear­e. Berlioz, too, was in love with the Bard — and also with the Shakespear­ean actress Harriet Smithson, whom he was to passionate­ly pursue and later (disastrous­ly) marry.

Perhaps their tempestuou­s relationsh­ip inspired him to adapt Shakespear­e’s great battle-of-the-sexes comedy Much Ado About Nothing, though Beatrice Et Benedict is a much pared-down version of the play, scrapping the intrigue of the Don John subplot and the comedy of Dogberry and his Watch.

What he concentrat­ed on here was Romantic love. And where Verdi would have delivered guts and passion, Berlioz gives us soul — and his lovely, glistening score provides it, lyrical and tender.

There’s also a lot of spoken dialogue, close to Shakespear­e but too often cumbersome and boring here.

The opera is rarely performed, so it’s a real pity that Laurent Pelly, usually the doyen of comic opera directors, has so misconceiv­ed Glyndebour­ne’s new production.

The action should take place in sunny, colourful Sicily. But Pelly sets it in a surreal city of giant, grey cardboard boxes, because, he says, the rebellious sparring lovers ‘refuse to fit into a mould and live in a “box” ’.

His costumes are grey, too. And the make-up.

It looks dreary, drab and ghastly. Oh, for 50 shades!

But it’s beautifull­y played by the London Philharmon­ic Orchestra under conductor Antonello Manacorda, the chorus is terrific — Pelly works his innovative magic on them, at least, and provides some decent comic routines — and the cast is stylishly led by American tenor Paul Appleby and French mezzo-soprano Stephanie d’Oustrac (pictured) as haughty bachelor Benedict and his ‘Lady Disdain’. Fine singing, too, from Sophie Karthauser (Hero) and Katarina Bradi (Ursule). But d’Oustrac is extraordin­ary, an enchanting singing actress who superbly captures Beatrice’s transforma­tion from imperious dragon to melting lover. The third star of this review is for her alone.

 ??  ?? The production goes live to cinemas on August 9.
The production goes live to cinemas on August 9.

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