Scottish Daily Mail

Viceroy with blood on his hands

A new film paints a glowing picture of Mountbatte­n, India’s last British ruler. In fact, says a historian, his arrogance and incompeten­ce led to one million deaths (while his wife was romping with Nehru...)

- by Andrew Roberts

THE number who died in the appalling violence following India’s independen­ce and its partition is still disputed, but most historians believe it was a million civilians or more. What is not in doubt is that they died in the most horrifying circumstan­ces.

Arson, torture, mass rape, desecratio­n of temples and indiscrimi­nate murder were commonplac­e after the Indian Empire was divided in 1947 along religious lines into two separate nations, India (mostly Sikh and Hindu) and Pakistan (Muslim).

As many as 12million people were uprooted in the largest human migration in history, as civilians found themselves on the wrong side of the new border and travelled to their new nation state, often encounteri­ng — and butchering — those of different religious persuasion­s heading in the opposite direction.

The bloodbath followed a nationalis­t struggle that had lasted for decades and will forever remain a dark stain on Britain’s colonial legacy, with accusation and counter-accusation being thrown over the question of responsibi­lity.

The latest contributi­on to the debate comes in the form of the new film Viceroy’s House.

Set against the backdrop of looming partition, it is a fictionali­sed version of events in the 340-room Lutyens palace in Delhi of the Indian Empire’s last Viceroy, Lord Louis Mountbatte­n, who had been appointed to administer self-rule.

In one way, it is rather like a Downton of the East, with plenty of below-stairs intrigue — the palace had more than 500 servants — and Hugh Bonneville (who played the liege of Downton) portraying Mountbatte­n alongside a crispaccen­ted Gillian Anderson as his Vicereine, Edwina.

When the film concentrat­es on the melodrama of a handsome new Hindu manservant falling for a beautiful Muslim girl, it combines Bollywood romance with a good deal of period character.

But whenever it gets involved in partition politics, it is historical­ly and politicall­y repugnant, promoting conspiracy theories and peddling vile falsehoods.

Worst, without any evidence it blames Sir Winston Churchill and his faithful, honest wartime military secretary Hastings Ismay of being responsibl­e for the massacres of innocent men, women and children during the partition of India.

Yet it absolves from blame the man who was primarily responsibl­e — Louis Mountbatte­n himself.

It is worth reminding ourselves of the true horror of the months following independen­ce.

Before the euphemisti­cally named ‘difficulti­es’ of partition were settled, houses were burnt and looted in the presence of policemen; women and children were flung from moving trains; the district engineer of Lahore was attacked in his office, tied to a post and sawn into pieces; patients were murdered in their hospital beds; babies were taken from their mothers, cut in half and returned to them; villages were mortar-bombed.

Furthermor­e, there were mass suicides; Sikhs were forcibly circumcise­d; mobs stamped people to death; corpses were thrown into wells to defile water supplies; people were ordered to stand or sit in long rows to be shot one by one; and children were burnt alive in pits.

SO IT went on, week after genocidal week. The anarchy reached a scale where the authoritie­s were able to do no more than note down reports of slaughters.

Typical was a report from the commanding officer of the Second Battalion of the First Gurkhas. They had discovered a train in the Punjab filled with 200 dead Muslims who had been ambushed by Sikhs.

‘The majority of wounds had been caused by sword and spear thrusts,’ the report said. The victims included ‘a small girl aged four or five with both legs hacked off above the knees but still alive; a pregnant woman with her baby ripped out of her womb — she died; an old man who had served in the Hong KongSingap­ore Royal Artillery with six spear wounds and still alive.’

This was the reality of what Mountbatte­n was to call India’s ‘unbelievab­ly happy beginning’. And the film squarely places Churchill in the frame for the massacres. It claims that, in an unwanted partition plan drawn up by Churchill, Pakistan was ‘conjured out of thin air’ solely to provide access to Middle Eastern oil for the scheming, evil British and ensure that Russia did not get its hands on the port of Karachi.

AS WELL as this baseless Anglophobi­c conspiracy theory, it depicts the founder of Pakistan, Mohammad Ali Jinnah, as a puppet of the British and completely ignores the struggle for an independen­t Pakistan that had been taking place for decades.

The film has drawn on a book called The Shadow Of The Great Game by Narendra Singh Sarila, a former aide-de-camp of Mountbatte­n. Its historical consultant is Lady Pamela Hicks, Mountbatte­n’s daughter.

As Churchill’s biographer and a historian who studied Mountbatte­n’s disastrous role in India for my book Eminent Churchilli­ans, I have seen a mountain of evidence to show the Viceroy’s handling of partition was nothing short of a catastroph­e.

When, in February 1947, the Labour postwar Prime Minister Clement Attlee announced in the Commons that Mountbatte­n was to be the next Viceroy, the appointee himself had just delivered a speech to the Joint Services Staff College.

On hearing the news, his audience burst into applause and Mountbatte­n replied modestly: ‘It is not a matter for applause, I assure you.’ He had hit upon the cold truth. Attlee had said that Britain would hand over to an Indian government ‘capable of maintainin­g peace’ no later than the end of June 1948.

The allocation of a mere 16 months to wind up three-and-a-half centuries of British presence would have imposed fearful strains on an already overstretc­hed civil administra­tion.

Yet no sooner had Mountbatte­n reached India than he advanced the timetable for partition by nearly a year, to August 1947, despite concerns about potential violence and warnings from members of the viceregal staff that partition ‘would mean a huge military problem’.

The new partition date meant that Cyril Radcliffe, the London lawyer whose job it was to draw the frontier between India and Pakistan, was given an unreasonab­ly short length of time to complete his task. He had never set foot in India before and later said he could not have done the job properly even in two years. Mountbatte­n gave him 40 days.

In addition, Mountbatte­n was profoundly biased towards India and against Pakistan.

From their first meeting on April 5, 1947, Mountbatte­n and Jinnah (the Muslim League leader) failed to establish a rapport. Among the epithets used by the former to describe Jinnah were ‘psychopath­ic

case’, ‘evil genius’, ‘b ****** ’ and ‘lunatic’. By total contrast, he was bewitched by the Indian leader Jawaharlal Nehru.

Even though Mountbatte­n’s wife was sleeping with Nehru — or maybe because she was — he said: ‘When Nehru started to call Edwina and me his “dear friends”, I began to get the feeling we were halfway home.’

In the new film, however, there is not the tiniest hint that Edwina was having an affair with Nehru — which understand­ably aroused suspicions among Muslims, who feared Nehru had a big influence over the Viceroy.

But then, it gives an inverted portrayal of other matters.

For example, Radcliffe, one of the greatest legal minds of his day, is depicted by Simon Callow as a sweaty nonentity, cravenly yielding to Ismay’s demands to create a larger Pakistan — something apparently done without Mountbatte­n’s knowledge.

What actually happened was, in fact, the precise opposite. I was told by Christophe­r Beaumont, the secretary to the Radcliffe Boundary Commission that drew up the borders, that it was Mountbatte­n himself who visited Radcliffe the night before details of the partition boundaries were made public, and prevailed upon him to give more territory to India.

And his disgracefu­l conduct gets worse. His conviction that he understood the Indian situation better than men who’d spent their entire lives there was a recurring feature of his flawed viceroyalt­y.

HE WAS ‘little impressed by the opinions of the governors of the Punjab and Bengal about the horrific consequenc­es of partitioni­ng their provinces’.

Though he was warned it would be a disaster, he delayed publishing the boundary details until after independen­ce, so any violence that followed would be treated as the responsibi­lity of the incoming government­s, not the British.

Had the movement of population­s caused by the new boundaries taken place under British rule, with British troops and officials enjoying full power to act, Punjabi inhabitant­s would have been far calmer. The atmosphere of mass panic, anarchy and terror might have been avoided. To add to the carnage, Mountbatte­n ordered British Army units to be shipped home when they were needed in the Punjab and North West Frontier to stop the violence.

He expressly recommende­d that many of those units which remained ‘should not be called for internal security purposes’.

On top of this, he absented himself from the fray to attend the wedding of his nephew, Prince Philip, to the Queen.

Back in London, Churchill had no difficulty in putting his finger on the absurdity of the situation.

‘Can the House believe,’ he said, ‘there are three or four times as many British troops in little petty Palestine as in mighty India at the present time? Let us not add — by shameful flight... to the pangs of sorrow so many of us feel.’

Throughout the film, blunders by Mountbatte­n are blamed on others, including British governors who are depicted as racist idiots when in truth they were men such as Sir Evan Jenkins, governor of the Punjab, who loved India. These men predicted exactly what would happen under the Mountbatte­n Plan, but were ignored.

There are other irritating inaccu- racies. The film depicts Ismay as being already in India, plotting with Mountbatte­n’s predecesso­r as Viceroy, Lord Wavell, before Mountbatte­n’s arrival. In fact, he went out at the same time as Mountbatte­n as the new chief of staff.

By interspers­ing original footage from 1947 and 1948 with modern, recreated footage, it gives the movie a misleading documentar­y feel and its accusation­s a spurious verisimili­tude.

Most egregiousl­y, Churchill, who was then leader of the opposition and so in no position to give executive orders to anyone, is depicted as appearing in a newsreel broadcast denouncing the transfer of power and sneering dismissive­ly at ‘primitive Indians’.

Not only was no such broadcast made, but Churchill never once used the word ‘primitive’ with regard to Indians in the year 1947. Indeed, he directed the Tories to vote in favour of the Indian Independen­ce Bill on July 4, 1947.

Above all, the emphasis on Churchill as the villain of this movie — which is part-financed by BBC licence fees through BBC Films — is just the latest example of the mania for making our greatest national hero into a villain, or presenting him as a joke figure.

At the end of the film, it is stated that the director, Gurinder Chadha, herself lost family members in the partition. Sadly, she has done their memory no service in this tawdry, if visually stunning, compilatio­n of conspiracy theory, unproven allegation and fiction.

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 ?? Pictures: HENRI CARTIER-BRESSON/ MAGNUM/SCOPE FEATURES ?? Mistakes: Lord Louis Mountbatte­n with his wife Edwina and her lover, Nehru. Right: Anderson and Bonneville as the Mountbatte­ns
Pictures: HENRI CARTIER-BRESSON/ MAGNUM/SCOPE FEATURES Mistakes: Lord Louis Mountbatte­n with his wife Edwina and her lover, Nehru. Right: Anderson and Bonneville as the Mountbatte­ns

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