Scottish Daily Mail

SHORT STORIES

- EITHNE FARRY

GIRL, BALANCING & OTHER STORIES by Helen Dunmore (Hutchinson £20) HeLen dunmore’s love of history glints and gleams in this elegant, posthumous collection.

it is beautifull­y displayed in esther To Fanny, in which she celebrates the writer Fanny Burney, who underwent an excruciati­ng, life-extending mastectomy and is the perfect representa­tive of the 18th-century’s ‘small, fierce, brave people who dressed elaboratel­y, smelled awful . . . and worshipped Reason’.

Meanwhile, in the glorious Taken in shadows, it’s the poet John donne who is subjected to a passionate and wryly speculativ­e investigat­ion.

But it is the four nina stories that shine, as a young girl learns the lessons of self-sufficienc­y and self-defence and, in the titular tale, makes a hasty exit from an aggressive acquaintan­ce on her rollerskat­es, ‘all of her blazing and triumphant’.

FLORIDA by Lauren Groff (William Heinemann £14.99) LaURen GROFF’s bestsellin­g novel Fates and Furies brilliantl­y dissected a marriage. Here, she turns her scalpel-sharp gaze on Florida, a state that is home to many dangers — panthers, pythons and hurricanes.

But the real peril for her lonely characters lies in the unpredicta­ble nature of their emotional lives. Outside is the wide, wild world; inside, the equally feral nature of ferocious domesticit­y.

The wonderful opening story, Ghosts and empties, sets the tone: the narrator realises she has become ‘a woman who yells’ and takes to wandering the twilight streets of her little town to escape the ‘frozen, watchful faces’ of her children, revealing the injurious, sometimes joyous, aspects of motherhood in this lyrical, lacerating collection.

BACK TALK by Danielle Lazarin (Blackfriar­s £8.99) danieLLe LazaRin dives into the lives of new York girls and women with a quiet, melancholi­c exactitude.

she carefully reveals the way hidden desires and unresolved emotions can whirlpool away life’s certaintie­s.

in Floor Plans, a couple undergoing a ‘mutual’ divorce ‘take sides, though we didn’t think there [were] sides to take’, in the sale of their apartment.

Meanwhile, in Landscape no.27, a married woman can’t help but wonder why her artist lover chose her, even as she half-heartedly wonders why she picked him.

The wavering bond between sisters is explored in The Holographi­c soul; while in appetite, a girl, mourning her mother, negotiates the world of relationsh­ips, sex and jealousy and can’t help but feel that all forms of love are ‘inked in suffering’.

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