Scottish Daily Mail

Why it’s love, actually, for caring Keira

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KEIRA Knightley has been praised for ‘leading from the front’ to ensure her latest film finished shooting before the pandemic-induced shutdown.

‘We finished by the skin of our teeth — because of her,’ said Matthew Vaughn, producer of the untitled movie, a dark romance set around Christmas described to me as Love Actually with a killer sting.

Vaughn told me last night that he’s ‘thrilled’ that they managed to get the film shot before the coronaviru­s derailed it; and laid much of the credit at his leading lady’s door. ‘Kiera’s exceptiona­l in the film,’ he said, ‘and she was exceptiona­l behind the scenes as well. She really led from the front.’

He added that the actress, star of the recently released Misbehavio­ur, ‘lifted our spirits’ during filming.

Some have been calling the picture Silent Night, but Vaughn told me it won’t be released with that title.

Written and directed by first-time feature filmmaker Camille Griffin, it stars Knightley as a woman married to a character played by Matthew Goode.

Their screen son is played by Roman Griffin Davis, who played the eponymous Jojo Rabbit in the Oscar-nominated film. His mother is Ms Griffin.

Knightley and her film ‘family’ gather with friends and relatives for what’s supposed to be a festive celebratio­n.

The true nature of the gathering is being kept strictly under wraps.

Post production — the editing, scoring and fine-tuning — will have to wait until life returns to a semblance of ‘normal’.

However, Vaughn revealed that he’s going to go through footage that has already been edited and cut a promo reel to sell in the market place at the Cannes Film Festival. Last night, the film bonanza in the South of France was postponed; and a new date in late June is being considered.

But I imagine that even then there will be a series of global ‘meeting rooms’, with call-ins for scores of people, so buyers can bid for films like this one.

Sales agents and distributo­rs from around the world will be able to sit in their offices in London, Los Angeles, Paris, Rome or Sydney and participat­e in an auction to buy rights to release the movie.

It’s gonna be the new reality. For a while, at least.

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