Scottish Daily Mail

Orwell that ends well!

Award-winning team to give Animal Farm a musical touch

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ANIMAL FARM, George Orwell’s allegorica­l fairy tale, is being adapted into a musical by Olivier award- winning playwright James Graham.

The music will come from Alan Menken, the eight-time Oscar-winning composer behind Beauty And The Beast, Aladdin, The Little Mermaid, Sister Act and many others, working with his frequent collaborat­or, lyricist Glenn Slater.

Graham, whose play Quiz, about Charles Ingram, the ‘coughing major’ accused of cheating on Who Wants To Be A Millionair­e? became a cracking ITV mini-series shown during the first lockdown, told me that his ‘spider senses started tingling’ the moment producer Adam Spiegel suggested the idea.

Graham said the creative team is aiming for ‘an enjoyable, entertaini­ng, theatrical night out’ but that they wouldn’t ‘shy away from what’s really an unnerving and dark’ fable about barnyard animals who overthrow their drunk en farmer, starting a revolution.

One of their seven commandmen­ts famously declared that: ‘All animals are equal — but some animals are more equal than others.’ In particular, the pigs, led by the tyrannical Napoleon. ‘It’s the oldest cliche i n the world,’ Graham told me this week. ‘Everyone always thinks that Orwell is more relevant and more resonant now than ever before.

‘But I do think, with what’s been happening in America, and also here, we’ve moved into an age of populism, and the politics of the extreme — on the left and the right.’ In such times, he said, you have to be completely loyal to your tribe, otherwise ‘you’re cancelled and destroyed’.

The show will have a workshop in the spring and then Spiegel will decide when to bring the fully developed piece into the West End. The producer insisted that there won’t be ‘any puppets!’ (in fact, he bellowed that declaratio­n down the phone line to me).

I questioned Graham about how the animals will be presented — with masks, as in Peter Hall’s 1980s production at the National Theatre or with actors on all fours, as in Cats? He laughed, and responded; ‘ The absolute joy for me is that ... I’ve got no idea!’

He said it would be up to a director, when one is appointed ( and Spiegel said there had been no move on that front yet) ‘to decide how to approach such matters’.

My hunch is that a female director, from either side of the Atlantic, will take charge of the political menagerie. However, Graham did say that he has been exploring how ‘the animals walk, their voice, and their own politics’.

He said it’s important to ‘make vivid and distinct the very different tribes, whether it’s the sheep following along, or the pigs ...’

He mentioned discussion­s with Menken and Slater about matters porcine. ‘Like, how do pigs sing? These are early stage conversati­ons.’ Graham has another Orwell project, too, though it’s on the backburner — a new, cinema version of 1984, to be directed by Paul Greengrass. Its time will soon come.

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