Scottish Daily Mail

JENNI MURRAY

I’ve written my will and it better be honoured!

- By Jenny Johnston

NeArLY 14 years ago my father lay in the hospice in Barnsley, dying. His lung cancer had been diagnosed only weeks before. The hospice gave him the best possible care and he was keen to ensure that everything was in place for me, his only child, when he was gone. His records had been kept immaculate­ly, his will was in place, but there was one form his solicitor said needed to be signed. ‘I’ll sign it,’ he said, ‘but you need to get one of the nurses to witness it.’

I was apologetic when I asked his favourite nurse if she could help. ‘I’m sorry,’ I said, ‘we should have sorted this out long ago.’ ‘It’s no trouble,’ she replied, ‘You should see what we sometimes have to deal with. families rowing and raging over who gets what. We have to act as referees to protect the dying patient. It’s awful.’

I was reminded of that sad time when I read of the feud between Juliet Miles and Lauretta Shearer and their stepmother Pamela Shearer. Their father, the banker Tony Shearer, had cut his girls out of his will because he thought them ghastly and ungrateful in their demands for money. He left everything to his second wife. Now, four years after his death, the two daughters are fighting for maintenanc­e from his estate.

Money, it appears, is indeed at the root of all evil and I know the Shearer girls are not alone in being punished in the inheritanc­e stakes by a parent they had displeased.

AfrIeNd had a difficult relationsh­ip with her mother who favoured her adored, lazy, impecuniou­s son over her clever, competent daughter. When the mother died a couple of years ago the daughter received nothing.

The son inherited a considerab­le amount. The daughter tried to be pragmatic about what she perceived as a punishment, but couldn’t resist telling me: ‘I’ll be OK. I work hard to earn a living. He’ll just fritter it all away.’ She had no plans to contest it. ‘A will is a will,’ she said. ‘Her choice.’

I have sympathy for the children left out of a parent’s will and being hurt at feeling they were unloved, but, really, what does a parent owe an adult child when it comes to financial support?

Is it reasonable for an unemployed 41-year-old Oxford graduate and lawyer, faiz Siddiqui, to sue his wealthy parents for ‘maintenanc­e for life’, or for Prince Harry to express his fury at his father turning off the financial taps when he and his wife are multi-millionair­es? No! It’s your job to house them, feed them, make sure they get a good education and give them love and security, but then watch proudly as they learn to stand on their own two feet.

When George Clooney made his will in 2013 it prompted him to give £1million each to 14 friends. He was aware that most were trying to put their kids through education and hadn’t got as lucky as he had. It made sense to him to give his pals the money at that time when they needed it most rather than ‘wait until we’re all buying dentures’.

My husband and I finally got round to writing new wills last summer. The old ones had been done years before we had children, but it was only when I turned 70, I suddenly realised it was time to get on with it, accept the possibilit­y of mortality and leave things as clear for my children as dad had tried to do for me.

It couldn’t be simpler. If I die everything goes to my husband and vice versa if he’s the first to go. When the end has come for both of us, it’s shared absolutely equally between our two sons.

No fights, no rows and they both say: ‘don’t worry about us. It’s your money, you earned it, enjoy it while you can.’ My advice? Make a will, keep it clear and fair and write it in good time. You never know what might happen.

When former BA air stewardess Amy hart signed up as a contestant on the show Love Island, she was looking for love, yes, but also for adventure and opportunit­y.

A sensible sort, she asked her employers if she could keep her job open, with a view to returning to the skies after her TV stint. They refused, which sent her poor mum into a spin.

‘She panicked. She said: “What are you going to do now, with no job?”,’ Amy laughs.

There was no need to worry. Thanks to Love Island — or, more accurately, the social media platform it offers — Amy, 28, was already well into an apprentice­ship for a new career as an ‘influencer’. She wasn’t quite aware of it at the time but that career was taking off, at speed.

What even is an influencer, you may ask. It’s something many people in lockdown Britain have been asking over the past few months, as some of these social media stars — often former reality stars such as Geordie Shore’s Sophie Kasaei and Love Island contestant­s Georgia harrison (pictured far right) and Gabby Allen — have been photograph­ed beside pools in places such as Dubai.

Amy insists that ‘influencin­g’ is indeed hard work. She explains why she thinks she is worth every penny of the £1,000plus she can make for posting a picture of herself holding a bottle of hair conditione­r or a packet of chewing gum. ‘Just doing my hair and make-up takes two hours because of my hair extensions.’

This week, Amy (who hasn’t been on a plane during the pandemic, despite still getting a BA discount) stuck up for her much-maligned influencer colleagues.

‘Influencin­g is a new form of advertisin­g,’ she explains. ‘If someone said they worked in advertisin­g and they had to go to Dubai, you wouldn’t bat an eyelid.’

She knows only too well that people (‘Well, people over 35,’ she says pointedly) wince when she talks of influencin­g being an industry. It’s big business, she says. And influencer­s like her keep the economy afloat. ‘I pay my taxes. Companies rely on people like me to promote their products.

‘It’s all part of the chain, and it is annoyand ing when people just belittle us, or what we do.

‘Put it this way, quite soon after coming out of Love Island, I was approached by a company who make those gummy vitamins. They wanted me to put out four posts about their products, and for that they would pay me £10,000. That was my starting salary at BA — for a year!’

A year after leaving Love Island, Amy has more than a million followers on Instagram and while she is pursuing other avenues in the entertainm­ent business (notably in the West end), a significan­t chunk of her earnings come from being an influencer.

Today, Amy has agreed to talk about the minutiae of what being an influencer entails. Like many women on Love Island, she’s very pretty. She had a boob job before she joined the show (her grandparen­ts loaned her £5,000), she has long blonde hair extensions and her teeth are blindingly white.

Some might consider that her time on Love Island wasn’t a triumph. She spent much of it in tears, and exited early, having been dumped by fellow contestant Curtis Pritchard.

however, by then her social media standing had gone stratosphe­ric, the offers to promote products started pouring in.

The first queries came from makeup companies keen to tap into Amy’s (young, female) fan base. The diet product companies were hot on their heels. ‘I refuse those,’ she is quick to point out. ‘Quite early on I decided that I wasn’t going to be associated with diet pills, skinny teas, any of those quick-fix skinny coffee things. You have to be responsibl­e.’

‘Sometimes, it’s not about the money. You do it because you like the product, or get some of the product. I quite like the clothes ones for that. But sometimes it’s hard work. Genuinely hard work.’

Really? A quick scroll through her Instagram does not scream ‘busy at the coalface’. here she is holding a bottle of hair conditione­r, here’s her with some cheese.

There is one post where she is posing with Curtis Pritchard (yes they are friends again, at least for the purposes of Instagram) and a load of Louis Vuitton luggage and, er, chewing gum. This was a paid-for promotion, via the gum brand extra, who were giving away luxury luggage in a competitio­n. Then we come on to

The new breed of ‘social influencer­s’ have been dismissed as vacuous. But are they as daft as they seem?

the matter of how to monetise her social media skills.

When it comes to the paid-for content, the process is indeed akin to old-fashioned advertisin­g. Celeb poses with product. users notice product and buy it — sometimes by swiping directly from Amy’s Instagram or TikTok accounts.

UndER Instagram’s rules, overt adverts must be labelled as such (hence the ‘paid for content’ tags) but this continues to be controvers­ial. ‘If you use the hashtag #ad, it means you have been paid to promote this product. #gifted means you have been given it, with no obligation to post about it. #affiliated means you’ve bought it yourself, but if someone clicks through from one of your links to buy, you get a small percentage.’ It’s long been an ethical minefield, but for most product endorsemen­ts, there is a set pattern.

‘A company approaches you, and a contract gets negotiated. How much you get paid depends on how many followers you have, and how well you can negotiate, but I heard somewhere that the basic rate to keep in mind is £1 per thousand followers.’ Amy’s has 1.1 million. So that’s over £1,000 a job — which can take a couple of hours.

‘At the start it’s tempting to say yes to everything, but you learn to weigh it up. It might take you two hours to get that content sorted, but it might take you two weeks.

‘I have just done one with disney+ where I had to get changed six times. People will laugh at that and say “big deal” but it all takes time.’ This is still not hard work, though, is it? She disagrees. ‘All jobs have days where you feel you have earned every penny, and there is a pressure there because you have to build your followers. It’s all about coming up with new content and staying relevant. In the pandemic that’s been really difficult.’

Worth it though, because — to be blunt — it pays. She won’t say what she has made from influencin­g in the past year. ‘But put it this way, I got £1,500 a month when I was cabin crew and I can get that for two or three posts about a product.’ She has also just bought her first house, which tells its own story.

of course Amy is keen to point out that flogging hair conditione­r and chewing gum is only one of her skills. Her networking has opened doors in the musical theatre world, which is where her real ambitions lie. After a stint on Loose Women, she has landed a gig producing a theatre show, starring Shane Richie. ‘I don’t deny that Love Island got me in the room, but after that I had to work the room myself.’

She’s also still young, and in a new industry that takes no prisoners. Hearing her talk about her reality TV experience­s is quite shocking. on her exit from Love Island she was trolled mercilessl­y on social media and had what sounds similar to a breakdown.

ARound that time, former Love Island presenter Caroline Flack — who had supported her during her stint in the show — took her own life, leaving all those involved with the programme in shock.

‘I went off the cliff,’ she agrees. ‘I had my own issues, and then we lost Caroline. It was too much.’

It took eight months of therapy for her to conquer her feelings of inadequacy. ‘All my issues were around feeling ugly, that I wasn’t good enough, feeling judged.’

did her therapist suggest getting off social media? no. ‘How could she? This is my world now.’

For those of us who are over 35, it is a bewilderin­g world, but she says in recent months she’s made a breakthrou­gh. Her mum is now on board with the whole influencin­g business. ‘She completely gets it now. Sometimes she opens my mail and if I go to post something about a product she will stop me, saying, “that’s not worth it. You have to aim bigger”. She gets that it’s a real job now.’

So does an entire generation, and perhaps that’s the most worrying part of all. Because, as Amy herself acknowledg­es, for every wannabe influencer who makes it, there were will be thousands destined for disappoint­ment.

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 ?? Picture: NATASHA PSZENICKI ?? Influentia­l: Amy Hart, left, and Georgia Harrison, above
Picture: NATASHA PSZENICKI Influentia­l: Amy Hart, left, and Georgia Harrison, above

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