Hollywood
THE NEW DRAMA FROM GLEE CREATOR RYAN MURPHY FOLLOWS A GROUP OF WANNABES AS THEY DO WHATEVER IT TAKES TO MAKE IT IN TINSELTOWN. WE TOOK A PEEP BEHIND THE SCENES WITH ITS PRODUCERS
From top: Jim Parsons plays predatory agent Henry Wilson Below: Holland Taylor chats with Ryan Murphy on Hollywood’s set story, and that we show a different kind of portrait of what the winners and dreamers look like.
Because today, we’re still grappling with an industry where there are far too few people of colour on screen, far too few LGBTQ people and women in power.
Ryan: I have a very strong connection to this time period because my grandmother was a big movie buff, and I was raised with her telling me all about Rock Hudson.
We lived in Indiana, but from a very young age she would tell me that Rock Hudson was gay and I remember thinking,
‘Oh, there’s somebody else like me’.
I grew up as a gay guy in Indiana and I didn’t have any role models, and I didn’t see anybody like me succeed, so I felt very alone. Janet, like me, grew up and rarely saw young black women succeed. I firmly believe in this idea that if you can see it, you can be it. And if you don’t see it, you can’t.
Ryan: Casting a television show is like casting a dinner party. It’s like, ‘Well, who do I want to sit next to for the next six months of my life?’
I like to give actors a lot of say and then throw challenges their way. I just called them all up and said, ‘Hey, I have this part for you, and I’m not going to take no for an answer, and you’re going to do it.’
Jim Parsons (from The Big Bang Theory) is terrifying as Hollywood agent Henry Willson – we’re not used to seeing him as a villain. How did you approach writing and casting that character?
Ryan: Henry Willson was a real-life villain, and that role was very heavily researched. Willson was a true sexual predator and an alcoholic who would take these young men who were vulnerable and from bad homes, who came to Hollywood trying to make it, and then sexually abuse them.
It’s a very tricky thing when you’re writing a monstrous character like Henry Willson, because you may not like what they do, but I want you to understand why they’re doing what they’re doing. Nobody just becomes a monster. Monsters are made.
When I presented Jim with the role, it wasn’t an instant yes. He worried about it. It was scary. But he had just come off a very long run playing a beloved sitcom character, and he was like, ‘OK, I want to be scared. I’ve been playing this beloved character. I want to do something scary.’
Why do you think a story about hope and reformation is so important right now? Ryan: In our show, we have Eleanor Roosevelt come into town and she says it best. She says, ‘I used to believe that the government could change the world, but I don’t know that I believe that anymore’.
She believes that we need leadership in other places, one of those places being Hollywood, to show a world that is more compassionate, more empathetic. We learn life lessons from what we see on the screen.
We learn how to act, how to fall in love, how to forge friendships, make enemies. Hollywood has always been a great, great teacher for me, and I think this show offers a world we need to be reminded of – a place where the good guys win and a new day is dawning.
At its core, that’s what this show is about: happy endings.
We lived in Indiana, but from a very young age she would tell me that Rock Hudson was gay and I remember thinking, ‘Oh, there’s somebody else like me’.
■ Hollywood is available on Netflix now