Stirling Observer

Dynamic duo can’t save sloppy sequel

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Men in Black: Internatio­nal Seven years have passed since the disappoint­ing Men in Black 3, so the time was arguably right for a reboot.

Throw in Chris Hemsworth (Agent H) and Tessa Thompson (Agent M) renewing their terrific Thor: Ragnorak double act and Fast & Furious 8’s F. Gary Gray sliding into the director’s chair and the ingredient­s seemed set for a tasty movie meal.

Then the trailers hit and doubts rose; other than the presence of Hemsworth and Thompson everything looked – to be kind – ropy.

And that’s pretty much how the finished flick plays out; despite its fresh cast and a more globe-trotting plot, Men in Black: Internatio­nal is no better than the series’ third outing.

The story is a jumbled mess which is frustratin­g given scribes Art Marcum and Matt Holloway penned the first Iron Man; though maybe no great surprise as they went on to write Punisher: War Zone and Transforme­rs: The Last Knight.

While falling short of their Thor brilliance, Thompson and Hemsworth have effortless chemistry and the duo – whose comic timing is superb – deserve better material.

Starry-but-inconseque­ntial support comes from Rafe Spall (Agent C), Emma Thompson (Agent O) and Liam Neeson (Agent High T).

Kumail Nanjiani’s Pawny is a grating, childish presence and even for a franchise shy of classic villainy Rebecca Ferguson’s Riza is short-changed and underwhelm­s.

It’s true to say Gary Gray knows how to shoot an action sequence – with a London shoot-out and Eiffel Tower chase catching the eye.

It all feels like a forlorn effort, though, as the Men in Black series again fails to deliver a sequel worthy of comparison with the seminal 1997 original.

If only they’d gone down the hugely exciting 22 Jump Street crossover route that was originally planned.

 ??  ?? Barry Jenkins’follow-up to Best Picture Oscar winner Moonlight doesn’t match the brilliance of its predecesso­r.
The acting is very strong across the board, but the drama doesn’t always grip the way it should.
Barry Jenkins’follow-up to Best Picture Oscar winner Moonlight doesn’t match the brilliance of its predecesso­r. The acting is very strong across the board, but the drama doesn’t always grip the way it should.
 ??  ?? Looking coolHemswo­rth and Thompson get fired up
Looking coolHemswo­rth and Thompson get fired up

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