Stirling Observer

Shabby scares don’t fulfil horror fantasies

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Jeff Wadlow’s last stab at out-there horror was Truth or Dare; fun trash that makes perfect late night viewing you wouldn’t mind falling asleep in the middle of.

Fantasy Island doesn’t even reach that tiny bar as this take on the late 70s/early 80s TV show wastes an intriguing premise.

A group of guests arrive on the titular tropical resort to be granted their ultimate fantasies by the mysterious Mr Roarke (Michael Peña).

There’s no doubt the story – penned by Wadlow and his Truth or Dare scribes Jillian Jacobs and Christophe­r Roach – sets up tantalisin­g prospects.

From a personal assistant’s nose bleeds and a crazy hermit living in the woods to location changes in a heartbeat, there are Lost levels of mystery at play.

The answers aren’t as complicate­d and disappoint­ing as that incredibly maddening TV show but still fall way short of meeting your early expectatio­ns.

No matter how strong the revelation­s were, though, they would struggle to elevate the pretty dreadful acting.

Ryan Hansen and Jimmy O. Yang’s step-brothers are supremely annoying, Maggie

Q does little but look sad and a lifeless Peña isn’t a great fit as the supposedly enigmatic Roarke.

Subtlety goes out the window as Wadlow bombards us with scantily-clad women and characters who express everything they are thinking and feeling verbally in dumb exposition explosions.

The film gets more and more batty as tension is jettisoned in favour of jarring face-offs and insane twists – a couple surprising but most very predictabl­e.

The cave-set finale bombards us with informatio­n dumps before optimistic­ally teasing a return trip.

With its shabby scares, unlikable characters and crazy antics, Fantasy Island is more wet weekend getaway than sun-kissed journey to paradise.

 ??  ?? Given its true-life tale, there’s more realism in Roland Emmerich’s latest.
Sadly, the director can’t resist going big and bombastic.
Drama and story take a back seat to loud action.
Given its true-life tale, there’s more realism in Roland Emmerich’s latest. Sadly, the director can’t resist going big and bombastic. Drama and story take a back seat to loud action.
 ??  ?? Hands onLucy Hale struggles for survival
Hands onLucy Hale struggles for survival

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