Sunday Express

A mind-blowing vision of the future...it’s quite extraordin­ary

- Stefan Kyriazis

ASTHE CROWD chanted, “We wantabba”, just like all those decades ago, the lights dimmed and four silhouette­d figures rose out of the floor. Revealed by a dazzling burst of illuminati­on, they were right there in front of us in glittering blues and reds – life-size, life-like and somehow larger than life, even when they weren’t being projected on to the sky-scraping screens.

We weren’t just inside the Abba Arena, we were beamed to planet Abba, a mindblowin­g futuristic reality powered by 500 lights and lasers, a giant 65 million pixel wraparound screen and one billion hours of computer programmin­g.

Opening numberthev­isitors set up a night of fan favourites mixed with blockbuste­r commercial hits. Just like any concert, the music is intercut with crowd interactio­n – banter from the boys and confession­s

ABBA VOYAGE

from the girls. A moving tribute to her grandmothe­r from Frida prefaces Fernando.

The Abbatars move and dance with all the idiosyncra­sies of each member – Frida’s exuberance and Agnetha’s refinement shine through.the light show is utterly spectacula­r, the sound sensationa­l on the richly updated orchestrat­ions.

One caveat is the frequent interludes when the band are off-stage, with Bjorn even joking he was desperate to get out of his velvet jumpsuit. Yet no costume changes or scenery resets are needed.

Filler fantasy animations for Eagle andvoulez-vouz did drain the momentum, while Mamma Mia and Knowing Me, Knowingyou are delivered in giant video projection­s of the Abbatars.

The actual 1974 Eurovision footage is shown in full forwaterlo­o.

But the real magic happens when Abba are “there” on stage. Not just in the thunderous sci-fi spectacle of Summer Night City or blissful euphoria of Dancing Queen, but also in the heart-rending The Winner Takes It All or tender new track I Still Have Faith Inyou.

Giant close-ups show the palpable affection and emotion as they sing to each other. It’s quite extraordin­ary.

Did I believe they were really there?

I wasn’t sure until I wildly whooped the curtain call with the modern-day band before all four members strolled on and I realised I’d been cheering yet more Abbatars. Reality may never

be the same again.

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