Sunday Mail (UK)

WOBBLY ACCENT AND WHY TRAINSPOTT­ING ISN’T ON HIT LIST

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And don’t even get BBC film expert Mark Kermode started on Braveheart. Instead, when asked for his creme de la creme of Caledonian cinema, Kermode opts for two more obscure choices at the peak of his all-time list. One is the little-known 1945 romance by Michael Powell and Emeric Pressburge­r, I Know Where I’m Going. Another is the 1999 film Ratcatcher, which makes up in widespread critical acclaim what it lacks in terms of a place in the imaginatio­n of the Scottish public. Kermode, 56, said: “I Know Where I’m Going is a 1945 Powel l and Pressburge­r classic that clearly served as one of the inspi rat ions for Local Hero. “An Eng l i shwoma n travelling to the Hebrides to marry a wealthy industrial­ist is detained on the Isle of Mul l, with life- changing consequenc­es . It ’ s a timeless gem – romantic and mysterious. “They capture that idea of a journey to another place and I Know Where I’m Going takes you there. “Rat - catcher is the debut feature by Scot t i sh f i l mmaker Lynne Rams a y, w hom I consider to be one of t he t rue poet s of mo d e r n

He said: “Shallow Grave is where you see the genius of that combinatio­n of John Hodge, Danny Boyle, Ewan McGregor and Andrew McDonald.

“You see that group doing something with Shallow Grave which is absolutely extraordin­ary. Everything that is good about Trainspott­ing is in Shallow Grave.

“So the reason I say Shallow Grave over Trainspott­ing is because that is where it began.”

One Scottish film stands out above all others as far as Mark is concerned – 1983’s Local Hero, largely f i lmed at Pennan on the Banffshire coast.

He said: “I am a huge fan of Bill Forsy th’s work. Local Hero is No1 on my list.

“Years ago, Bill

I KNOW WHERE I’M GOING

Paramount Studios showed filmmakers this movie as an example of the perfect script. With a rare 100 per cent critics’ score on website Rotten Tomatoes, it features a young woman who is about to wed a rich industrial­ist on Mull. As she waits for weather to allow her safe passage, she falls in love with a naval officer. “Also, I saw Braveheart in America and some of the people thought it was about Ireland.” Mark revealed his favourite Scottish films to the Sunday Mail as he launched the Marriot Internatio­nal Hotels’ Love & Loyalty awards programme, for which he was photograph­ed with wife Linda by Rankin. Linda is a professor of film studies at Exeter University. But, surprising­ly, the host revealed the couple’s shared appreciati­on of cinema wasn’t the spark for their relationsh­ip. Mark, who plays double bass in the band The Dodge Brothers and is doing two shows – at Bo’ness Hippodrome and Edinburgh Queen’s Hall – next March, said: “We are coming to Bo’ness to play. “We perform musical accompanim­ent to silent movies. “In fact, Linda didn’t like me until she saw me play double bass. “We’ve been married nearly 30 years and I thank my lucky stars.”

RATCATCHER

Scottish film director Lynne Ramsay’s 1999 debut film is set in 70s Glasgow during a refuse strike that led to rats on every street corner. As the garbage piles up, young James dreams of a better life while surrounded by a dysfunctio­nal family and their personal tragedies.

Sunday Mail

Local Hero is magical but it’s also got its feet on the ground. Plus, I think it’s really funny. It’s magical and heartbreak­ing and I love that score. I’m a huge Lynne Ramsay fan. I did a programme a year ago called Secrets of Cinema and I was talking about Ratcatcher being one of the classic coming-of-age films. I think this was the first time I’d seen the isle of Mull. It’s a story of a journey. For me, Powell and Pressburge­r are the great British filmmakers.

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I remember seeing Wicker Man and being amazed by it, thinking the location Summerisle was a real place. I first went to Shetland to introduce a screening of this film. People might be surprised I chose Shallow Grave over Trainspott­ing but everything you see in Trainspott­ing was in Shallow Grave first from the same team.

 ??  ?? HERO Director Forsyth. Far left, scene from Trainspott­ing
HERO Director Forsyth. Far left, scene from Trainspott­ing

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