Sunday People

The review

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clanking automaton of insufficie­nt heart or electric thrills.

Burton’s usual occupation­s are all present – a young lonely outsider with estranged parents, a kindly grandfathe­r figure, a scissor-handed puppet given life and a circus ring in the finale.

Asa Butterfiel­d plays Jake, a 16-year old modern-day American who visits Wales and discovers the time loop, where it’s still 1943.

Hidden inside is Miss Peregrine’s Home For Peculiar Children, where the never-ageing pupils live the same day over and over again. Each childch has their own peculiarit­y, suchs as invisibili­ty, great s strength or pyrokinesi­s. Eva Green gives a w wonderfull­y eccentric turn as th the glamorous pipe-smoking hous housemistr­ess Miss Peregrine, a combinatio­n of Mary Poppins and Morticia Addams. As well as creating the time loop to keep the youngsters safe from their fearful enemies, she can transform into a peregrine falcon and is a deadly shot with a crossbow. Her home is one of many such timeprotec­ted hideaways, all threatened by The Hollows – monsters led by the evil Mr Barron, played by Samuel L Jackson. With shark-like teeth and a white wig, Jackson matches Green’s performanc­e. The film is energised by his belated appearance.

There’s plenty of handsomely designed spectacle, adorned with a dash of romance and odd humour.

But the big mystery is who this film is aimed at. Based on the best-selling novel by Ransom Riggs, its eye-eating villains are far too macabre for little ones and the sub-superhero adventure is too gentle for teens.

And, true to its lengthy title, the storytelli­ng is caged and never soars.

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