Sunday People

A perfect mix of sex and scandal

- Sara Wallis Follow Sara on @sarawallis

IN C4’s social experiment, The Simpler Life, the older participan­ts mostly sat around whinging that they didn’t have beer or a washing machine while the youngsters just got on with it.

Living on a remote Amish farm in Devon, stepping away from stressful society for a more fulfilled, communal life, some of them completely missed the point.

“You’ve got to put yourself first, surely?” said former footballer­s’ PA Penny, who moaned that her kids had to eat pasta most nights.

She sabotaged the budget vote, was overruled, then left – a shame for her girls, who were thriving.

“I’ll never give up my bags, my glamour and my champagne,” she said. Sounds like Penny just wanted the good life.

BRIDGERTON sashayed into our lives during lockdown with all of its saucy, high-society scandal

and we fell in love.

Shonda Rhimes, showrunner for mega hits like Grey’s Anatomy, has sprinkled her magic American stardust on the show and while some disregard it as soapy froth, I’m all in. Bring on the bubbles.

Season two landed on Netflix on Friday – eight glorious episodes of romance, lust, spats, posh furniture and vertigo-inducing wigs.

The brooding Duke of Hastings (Regejean Page, the reason most people watched) is absent, but don’t panic. You’ll have forgotten him within five minutes.

Season two follows Lord Anthony Bridgerton (Jonathan Bailey), the eldest sibling and Viscount, as he sets out to find a wife. He’s driven only by family duty and has impossible standards. “I do not need feeling,” he says. “What I need is what I have, and that is a list: tolerable, dutiful, suitable enough hips for child-bearing and at least half a brain.” Ooh Viscount, you had me at tolerable…

Unsurprisi­ngly, his speed dating through the local corset set ends only in frustratio­n. Too boring, doesn’t read, bad dancer etc.

Glossy

Then of course, in a tale as old as time, he runs into a mysterious, beautiful woman who vanishes on horseback into the woods without giving her name.

This is basically Cinderella.

Within ten minutes there’s a ball, obviously, and they catch sight of each other.

Except that, in a detour from the fairytale, Mystery Woman (Kate, played by Simone Ashley) has no interest in Lord Bridgerton whatsoever.

“Your character is as deficient as your horsemansh­ip,” she scoffs. Drop the mic. Exit stage left. So now of course he wants her. Kate meanwhile really, really doesn’t want a husband. So how many episodes before they have sex in a lavish fourposter? Five is my bet.

However, Kate’s sister Edwina (Charithra Chandran) is in the market for a man and the handsome Viscount will do nicely. It’s about to get complicate­d.

In the meantime, Penelope (Nicola Coughlan), having been revealed as the anonymous gossip merchant Lady Whistledow­n (still voiced by Julie Andrews, thank god), struggles to sneak around writing her newsletter­s.

Turns out people get suspicious if you start bulk-buying quills.

It’s all so glossy and predictabl­e, but I’m fully absorbed in this shiny world of beautiful people.

From the lavish set pieces – the races! the balls! – to the orchestral covers of modern hits, the sumptuous costumes and the classic enemies-to-lovers plot, this is a most suitable regency affair.

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