Sunderland Echo

Planned studios doff their cap to the past while looking to the future

- Katy Wheeler Katy.Wheeler@nationalwo­rld.com @KatyJourno

“Who would have thought we’d ever have a film and television quarter on the banks of the Wear?”, says Cllr Graeme Miller as he stands on a former industrial heartland which is set to welcome a new industry to Sunderland.

The River Wear has long been the lifeblood of Sunderland industry, from centuries of glass making to ship building, which made the then town a global leader.

Now, its south bank sat Pal lion could soon house one of the biggest filmmaking studios in Europe.

It’s a huge coup for the city and one which would transform the cultural and employment landscape, creating around 8,500 jobs in everything from hair and makeup, catering and security to sound engineerin­g, set builders and lighting.

Last week’s news of the Crown Works Studios plans by FulwellCai­n Studios, a joint venture between global entertainm­ent company Fulwell 73, the hugely-successful production company behind Sunderland ‘Til I Die, and Cain Internatio­nal, were met with a wave of support.

The name Crown Works Studios doffs its cap to Sunderland’ s rich industrial heritage.

The 1.68 m sq ft film industry hub at Pal lion, with 20 premiumsou­nd stages suitable for major feature film and highend TV production­s, would be created on the former Crown Works site which housed Co les Cranes for more than 50 years until its closure in 1998.

Previous to that, from 1917, the site was the home of Egis shipyard, which built a total of 34 ships before closing in 1930.

Henry Coles started Coles Cranes in 1879. Steel & Co moved the crane production line to Sunderland in 1939 and named the site Crown Works, in recognitio­n of the amount of Government work the expanded company was undertakin­g.

It became a bustling industrial heartland where thousands of cranes were manufactur­ed before being exportedar­ound the world. Once Northern Spire was completed, the old stone plaque from the Crown Works head office building has been installed in a wall near the southern approach to the bridge at Pallion, to mark the history of the site.

The new studios would stretch along the banks of the Wear on the brownfield site to the left and right of Northern Spire.

The studios would be the biggest jobs boost to the area since Nissan in the 1980s, creating a huge wave of opportunit­ies for those who work in the wider infrastruc­ture of the creative industries.

It could generate £336 millionfor the local economy every year, creating jobs and contract opportunit­ies spanning a vast range of discipline­s including trades and manual skills.

For the country’s wider TV and film industry, it would fill the need for studio space, which is seriously lacking, with a site that’ s easily accessible with the new road in place.

"It’s a massive game changer,” said Cllr Miller, leader of Sunderland City Council. “These studios give us the flexibilit­y to provide both film and TV space.

"There’s a huge market out there for television. We’ ve seen that with Game of Throne sand other TV programmes that have a global audience.

"What exactly is made here will be dictated by what the market decides, but I have no doubt it will be high-end.”

Alison Gwynn from North East Screen, the regional screen agency which is based at Riverside in Sunderland, said the studios are massive for the region as a whole, helping to retaintale­nt whilst also attracting people to the area.

“Fulwell’ s studio announceme­nt is a world-class game changer and builds on the North East’s vision for growing the screen industry,” she said.

“We fully support their ambition, and we will work closely with them to build the skills and infrastruc­ture required, supporting both crew and local businesses to become an important part of the supply chain needed to serve the production­s made there.

"Their studio will be a global player and will need our regionalcr­ew workforce, and the highly experience­d world-class talent from the region-who had to leave for career progressio­n to come home.

"We will also need to develop a new generation of industry-ready entrants, and career changers who can step across in technical and craft areas from other industries.

"This is a phenomenal opportunit­y for the people of the North East.”

The Crown Works Studios are subject to planning processes. All going to plan, with the final support hopefully coming from Central Government, work could start on the site as early as this year to create

"Theirstudi­o willbeaglo­bal playerandw­ill needourreg­ional crewworkfo­rce, andthehigh­ly experience­d world-classtalen­t fromthereg­ion”

the first of three phases at the studios.

The final phase would be complete by 2027.

The brownfield site is already clear and the new build stages can be built in a matter of months.

Inaddition­toCrownWor­ks Studios, plans are in place for the Shipyard Studios at the neighbouri­ng Pallion Shipyard, the only standing shipyardre­mainingint­hecitysinc­e it closed in the late 1980s.

A separate developmen­t, it would utilise the old shipyard building to create one of the world’s largest underwater studios.

Plans for Pallion Shipyard Studios are being led by production company Metalwork Pictures USA, global events business Broadwick Live, Pallion Engineerin­g Ltd and Kajima Corporatio­n of Japan.

A certificat­e of lawfulness was approved by Sunderland CityCounci­linDecembe­r2022 which grants permission for the site to operate as a film studio and creative hub.

Much like the banks of the Wear were once home to a series of shipyards, they could soon be home to a series of studios, heralding the dawn of a new era of creative industry.

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WilliamDeV­igierretir­ingchairma­nofColesCr­anes,laysthefou­ndationsto­ne ofthenewce­ntralstore,withDavidS­teel,managingdi­rectorinAp­ril,1982
 ?? ?? Sunderland City Council Leader Graeme Miller and North East Screen's Alison Gwynn at the site. Top right, CGI of
Sunderland City Council Leader Graeme Miller and North East Screen's Alison Gwynn at the site. Top right, CGI of
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Victor Challenger, and Lier Cranes ready for delivery at Coles Cranes Pallion in 1965
 ?? ?? how the studios could look.
how the studios could look.

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