HAPPY DEATH DAY
A MURDERED college student is forced to relive the gruesome day of her demise in Christopher Landon’s mischievous and sprightly slasher, which splices uproarious comedy Groundhog Day with self-referential teen horror Scream.
Gore frequently trumps giggles during Happy Death Day but the tantalising dramatic conceit of a distraught heroine stuck in a tragic groove provides screenwriter Scott Lobdell with a rich seam of black humour and female empowerment.
He relishes killing off his central character in myriad grisly scenarios, including a farcical montage of slaughter set to a jaunty pop soundtrack.
With each knife to the stomach or broken glass to the throat, the victim undergoes a gradual transformation from an unsympathetic, self-absorbed, emotionally cold vixen to a painfully self-aware, humbled young woman we can root for.
Jessica Rothe runs a gamut of emotions in the central role.
There is a pleasing contrast between her uptight sorority snob, who is desperate to fit in, and her liberated trailblazer, who walks naked across campus or opens her heart about her mother’s battle with breast cancer because no one will remember her tears when time resets.
Her narrative arc includes a gently simmering romance with a nice guy, whose sweetness and sensitivity would typically be a blood red flag for the horror genre.
Tree Gelbman (Rothe) wakes