You can scare yourself sometimes. You can give yourself a few bad dreams
As his 25th DCI Banks novel is published, author Peter Robinson talks to HANNAH STEPHENSON about researching creepy plots and keeping up with the times
GENIAL crime-writer Peter Robinson is happy to be back on home turf again, as he celebrates the 25th novel in his hugely successful DCI Banks series.
The Yorkshire-born author can’t quite believe the anniversary, and admits it’s become more difficult to think of new plots for his famous detective, brought to life by Stephen Tompkinson in the popular TV adaptation, and his sidekick DS Annie Cabbot (Andrea Lowe in the TV series).
“In the last few books, I’ve looked more towards stories that are in the news than I did previously,” Peter explains. “It becomes more difficult, simply because you use up material with each book.”
The award-winning writer now lives in Toronto, Canada, but also has a cottage in Richmond, Yorkshire.
He emigrated in 1974, to continue his studies after doing an English literature degree at Leeds University. He went on to do an MA in English and creative writing at Canada’s University of Windsor, with American author Joyce Carol Oates as his tutor.
For years, he only wrote poetry, and created Inspector Banks to stave off the homesickness he was feeling, imagining himself back in Yorkshire.
“At night, I would write crime just to relax. Before crime fiction, I was writing poetry and had a part-time teaching job, which was enough to get by.”
His wife, Sheila, a lawyer whom he met in Canada after giving a writing talk at a school her son attended (they’d both been married before), is the first person who sees each new book.
Careless Love is the opening book in his first trilogy, beginning with two suspicious deaths – a university student discovered in an abandoned car on the Yorkshire moors and a well-dressed man found in wild moorland, partially devoured by animals.
“One of the plots involves an old adversary of Banks and Annie who escaped – you know, the one that got away – and they get some information that he’s around again. That strand’s going to run through the next two books as well,” he says.
He admits advances in forensic science have made the job of the crime writer more difficult.
“I sometimes wish that I were writing books set in a period before DNA and the internet. It does get very complicated because you have to try to keep up with things, and there’s a fair bit about social media in Careless Love. To be honest, I’m not a social media person so it all had to be researched. If you go back to the old days, setting your books in the Fifties, you’ve got just an old handset telephone, typewriter and little grey cells.”
His work reached a greater audience thanks to the hit DCI Banks TV series, which ran from 2010-16, but there are no plans for its return. Peter says he feels sad the storylines veered completely away from the original books.
“They got a little bit lost there. In the last series, they killed off one of the major characters (Annie). I’ve had emails about that, saying ‘How could you do that?’ And I have to explain: ‘I didn’t do it – she’s still alive in the books!’
“I thought Stephen was excellent as Banks, when I got used to the idea of him not particularly looking like my idea of the character. And Andrea was great as Annie.”
Peter, 68, writes a book a year, but hasn’t aged Banks in the same time frame. The detective is older but not 30 years older (the first Banks novel was published 31 years ago). Yet he has changed over the years.
“Things have changed in his life, cases have affected him. He’s become perhaps more philosophical, more melancholy. His kids have left home, he’s split up with his wife. He’s become a bit more isolated and more a lonely character. He’s less gregarious than he was in the earlier books.”
When in the UK, Peter loves catching up with friends and getting a blast of the Yorkshire Dales. He often bumps into pals, including Ian Rankin, Michael Connolly, Mark Billingham and Ann Cleeves, on the crime-writing festival circuit.
“We don’t talk about crime, we just complain about publishers,” he says with a chuckle.
He says he watches too much television and keeps abreast of crime drama – he loved Happy Valley and Line Of Duty – and when he’s writing his thrillers, sometimes he spooks himself.
“Writing Aftermath was one of the spookiest ones, researching the killer couples like the Wests and (Ian) Brady and (Myra) Hindley and trying to assume that perspective to some extent.
“Part of the reason for writing that kind of book is maybe to try and make sense of how those things can happen, and I don’t think that I did, I don’t think I ever made sense of it, but you can scare yourself sometimes, in the sense that you can give yourself a few bad dreams.”
For now, he has no intention of of retiring. Completing the trilogy will take at least another couple of years, he reckons.
“Writers don’t usually retire, do they? I’ve still got a way to go to that and, as long as I can do it, I’ll keep on doing it.”
CARELESS Love by Peter Robinson, published by Hodder & Stoughton on July 26, £20.