The Chronicle

Steeped in the fishing tradition

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OUR charming photograph shows Cullercoat­s cobles, painted and renovated in readiness for the salmon fishing season.

The scene was captured on this day in 1934 – exactly 85 years ago.

The Tyneside coastal town remains synonymous with the fishing industry and the sea.

Life was hard, and the Cullercoat­s fish lass became a popular subject for the burgeoning Cullercoat­s artist colony. One of the most notable of these artists, Winslow Homer, took up residence in Cullercoat­s in the late 19th century. He depicted fishwives many times, hard at work and poignantly waiting for their men to return from sea.

Cullercoat­s’ early years saw it involved in the salt and coal industries. The salt industry thrived with salt pans all around the bay. The high demand for salt as a preservati­ve saw a new pier in place by the end of the 17th century.

The pier also allowed the transporta­tion of coal by sea and, with the coal and salt industries flourishin­g, Cullercoat­s was one of the busiest ports on the North East coast, until the emergence of the railways in the late-1800s took business elsewhere.

This left fishing as the main industry and two piers were built on either side of the harbour to provide shelter for the many open-top fishing vessels, or cobles, launched from there.

The area has a strong lifeboat tradition. In 1848, a coble taking a pilot to a ship further out at sea capsized with the loss of all on board. In response to this disaster the local landowner, the Duke of Northumber­land, funded the setting up of a lifeboat station in Cullercoat­s.

The award-winning station remains a vital asset in 2019.

 ??  ?? Cullercoat­s, February 1934
Cullercoat­s, February 1934

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