The Courier & Advertiser (Angus and Dundee)

Edge Dance Company

The Space, D&A College Kingsway Campus, Dundee, May 3

- Caroline lindsay www.lcds.ac.uk www.dundeeanda­ngus.ac.uk

Edge, London Contempora­ry Dance School’s postgradua­te dance company, is touring with unusual works by four new and award-winning choreograp­hers and is set to wow audiences at The Space at Dundee and Angus College’s Kingsway Campus next Wednesday.

Thirteen dancers will perform pieces by four of the most innovative choreograp­hers working in the industry today. Each choreograp­her has their own distinct style, with influences as diverse as plant biology, touch, escape and the classical Indian dance form of Bharatanat­yam.

Artistic director Jeanne Yasko has deliberate­ly chosen four very different styles.

“It’s more interestin­g for the audience to see how wide the art form is and how many different approaches there are,” she says.

Works range from abstract street dance theatre in Tony Adigun’s The Crumbling of Order to award-winning Canadian choreograp­hic duo Karen and Allen Kaeja’s Consumed – an incredible display of trust and risk as all 13 dancers fall and fly through the air.

Patricia Okenwa has created a new work for the tour: Touch Each Feel Other is a rhythmic exploratio­n of touch and sensation.

Finally, internatio­nally renowned choreograp­her Shobana Jeyasingh’s Strange Blooms is inspired by the evolutiona­ry tenacity and visual flamboyanc­e of flowering plants.

The work focuses on the cellular processes of plants and their patterns of growth and has been described as “a really cool biology lesson”.

Jeanne says working with four very different choreograp­hers is a challenge for the dancers.

“It’s very important they are versatile, that they can jump from one style to another,” she adds.

“The dancers, who come from many different countries and background­s, are constantly being stretched, learning and exchanging with the audience.”

While the performers make each work look as natural as they can, Jeanne reveals many of the movements are the result of endless hours of practice.

“The dancers rehearse for six hours a day every day between September and March,” she says. “The movements you see in Consumed, for example, look natural but in fact have been developed over 30 years to evolve amazing techniques in lifting and throwing.”

Although this will be Jeanne’s seventh year coming to Dundee, it will be the first time for many of the dancers. “They are so excited,” she says. “I hope the performanc­e will inspire the audience to see more of this versatile and culturally diverse ensemble. It’s a real celebratio­n of our humanity.”

 ??  ?? Dancers Denis Santacana and Sofia Casprini performing Consumed.
Dancers Denis Santacana and Sofia Casprini performing Consumed.

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