The Courier & Advertiser (Angus and Dundee)

Art sell-off would be a masterstro­ke for some

Angus: Debate over possible sale of council’s collection to help plug financial hole stirs passions

- Arbroath office chief reporter twitter: @c-gbrown1

In a nation famed for its art treasures, the sheer beauty of the sculpture before me remains imprinted in my mind all these years on.

A sensationa­l piece of the most exquisite proportion­s; hewn from solid steel, perfection from every angle and each line of its mesmerisin­g, naked form the ultimate expression of a master’s talent.

An icon of an Italian renaissanc­e. The renaissanc­e of Il Cavallino Rampante.

The location was neither Milan nor Florence, but the small town of Maranello and on its plinth in the home of the Prancing Horse was the Ferrari flat-12 power plant which carried Niki Lauda to the first of his three Formula One world championsh­ips in 1975.

That’s the thing about art. One man’s racing car engine is another’s David.

Art stirs emotion and the mere suggestion that Angus might cash in on its most valuable treasures has most certainly done that.

The 400-year-old Brueghels hang in Arbroath library and the idea the Flemish masterpiec­es could be sold off to produce a £4 million-sized pill to ease the council’s thumping financial headache has left folk fair discombobu­lated.

For a number of reasons I don’t believe that will happen.

Despite once being engaged in conversati­on about Forfar bridies on the plains of the Masai Mara by a fellow tourist who saw Osnaburg on the Loons shirt I wore, I can safely say that never – home or abroad – has the combinatio­n of Dutch artwork and Angus cropped up.

That may be its own eloquent summary of a philistine who considers an internal combustion engine a work of art, but I’d wager that the closest the majority of Angus residents may get to Brueghel is Google.

As jewels in the crown of the Angus collection, Pieter the Younger’s works are at least on show for art lovers, old and new, to appreciate.

Which is more than can be said for pieces that will never see the light of an Angus exhibition and, at a time when we’re constantly being told that tough times require smarter thinking, is the sell-off debate perhaps one worth having?

Get in touch with your local office in Angus or send a letter to The Courier at letters@thecourier.co.uk

 ?? Picture: Dougie Nicolson ?? The Adoration, by Pieter Brueghel the Younger, is owned by Angus Council.
Picture: Dougie Nicolson The Adoration, by Pieter Brueghel the Younger, is owned by Angus Council.
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