The Courier & Advertiser (Angus and Dundee)

The birds flying intothehig­hlife

There’s something special about watching a bird of prey in flight. And Gayle is lucky enough to work with one

- With Gayle Ritchie

A s the majestic Harris hawk swoops down to land on my gloved fist, I’m overcome by a great sense of honour.

It’s the first time the bird has flown free, and rather than going AWOL, she’s decided she trusts me enough to come back to me. Phew.

I’m spending the afternoon with Roxanne Peggie of Fife-based Elite Falconry and she’s picked out a couple of birds for us to fly.

The original plan had been to fly Marra, a huge white-tailed eagle, but it’s not windy enough for this magnificen­t bird of prey to take to the skies.

I’m certainly not disappoint­ed because instead, I’m getting to fly Artemis, a 22-week-old female Harris hawk. Because she’s never flown free, Roxanne starts off by attaching her to a long safety cord called a “creance”.

If she makes a bid to escape, this will stop her.

Placing a piece of dead mouse into the leather gauntlet I’m wearing and asking me to hold it up, Roxanne is delighted when Artemis does the right thing and comes to me.

“That shows she’s comfortabl­e allowing you into her personal space,” she says. “Let’s hope she comes back without the creance.”

Come back she does – time and time again. I’m very pleased and even start to feel a bit of a bond with the bird and am sorely tempted to stroke her, but I absolutely must not.

“They’re non-tactile birds and oils in human skin act as a solvent to the oil in feathers that keep the bird waterproof,” explains Roxanne.

As we walk through fields and woodlands, Artemis is never far behind, although some of her initial landings are a little clumsy.

The bird’s eyesight is amazing – around eight times stronger than ours.

So what makes her want to stick with us, and not skedaddle?

“Harris hawks are naturally very social and Artemis wants to be with us, because she views us as part of her team,” explains Roxanne.

But no bird of prey can ever truly be tamed. The best a falconer can achieve is a working partnershi­p, accepting that although the bird will tolerate handling and hunting with – but not for – him or her, it will revert to a wild state in the blink of an eye.

Like all birds at Elite Falconry, Artemis was reared for the first few weeks of her life by her parents in an aviary. She only saw a human for the first time three weeks ago, and since then, Roxanne has been training her for up to five hours a day.

Have any birds flown off and never come back?

“So far, no!” smiles Roxanne. “But it’s worth rememberin­g that although captive bred, they are effectivel­y wild and have a mind of their own.

“We train them through a combinatio­n of appetite management and manning (acclimatis­ation to living and working with humans).

“If we do that intensivel­y, the birds shouldn’t want to leave because they associate all positive things in life with us.”

Once Artemis is finished, Roxanne brings out a four-year-old kestrel named Mito. She’s small and very cute and I watch in awe as she hovers high above the ground, swooping down to grab pieces of chicken that Roxanne chucks into the air. What I find most fascinatin­g is her amazing UV vision.

“Mice are incontinen­t so the kestrel hovers over a large pool of urine and then swoops,” explains Roxanne.

Roxanne, 30, has worked for Elite Falconry for 15 years, and is passionate about the sport.

“If I didn’t do it full-time, I wouldn’t have the opportunit­y to practice the sport and fly birds,” she says.

“It’s all about training and building up a relationsh­ip with the birds, so that they learn to trust you.

“It’s hard work and people who watch displays only see the end result – they don’t see the massive amount of work it takes to keep the birds’ environmen­t clean, to ensure they’re all in good condition and enjoy a varied diet.” Clockwise from main picture: Artemis the female Harris Hawk flies onto Gayle’s arm; Roxanne Peggie prepares to let Artemis fly; and the bird stands majestical­ly on a log. Pictures: Steven Brown.

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