The Courier & Advertiser (Angus and Dundee)
Spreading awareness of Holocaust truth
Being charged with talking about Holocaust denial is no easy task, but it’s certainly an important one, says David Baddiel. Gemma Dunn finds out more about his emotional journey confronting the issue...
T he Holocaust is one of the most documented events in history, so why is Holocaust denial back on the political agenda?
What has happened in the 75 years since the liberation of the camps to have skewed the picture?
These are the important questions explored in Confronting Holocaust Denial With David Baddiel – a timely and important film investigating the history and modern face of this phenomenon.
And according to Baddiel, the BBC Two special – part of a range of content marking the 75th anniversary of the liberation of Auschwitzbirkenau – couldn’t come at a better time.
“I would say the primary reason is the sad fact that most of the survivors are dying; there’s no way to varnish that,” begins the Jewish comedian, 55. “I don’t know what the figures are but I know that there are fewer and fewer and so the living testimony is slipping away,” he says poignantly. “And at the same time, culture is shifting in all sorts of ways.”
“What I grew up with, as a certainty, is the Holocaust happened and it’s a thing that we always have to remember and take seriously,” he muses. “So I think the film is trying to say, ‘OK, what marker can we place on that shifting sand?’”
Baddiel is talking at the end of an inevitably emotional screening – a 60-minute edit (cut down from 80-plus hours of footage, he says) that sees him not only talk to a survivor, but also academics, historians and even a denier.
The latter not being an easy decision to make.
“The film exists at a time when there’s a lot of talk about the rights and wrongs of how you debate things that might be undebatable,” he reasons. “Not just the Holocaust, but climate change denial and that kind of thing.
“We’re at a period in history where untruths have a lot of power and so being charged with the process of talking about Holocaust denial, how do you do it?
“My position was always, ‘I’m not going to make a film which is just me with a bunch of Holocaust deniers, trying to convince them that they’re wrong,” he explains. “But it might seem somehow foolish, cowardly, not to do that at all.
“But I should say I was incredibly discomforted by the idea of having to do that,” he confesses. “But how do you then take on Holocaust denial?”
The figure Baddiel goes on to meet is Dermot Mulqueen, a staunch Holocaust denier from Ireland, who has in excess of 7,000 followers across his social media platforms.
It’s a meeting that’s initiated by an understandably uncomfortable handshake.
“I’m not nervous about doing things in my life, but I felt very nervous about that because it touches on a very deep part of me,” he admits.
“My mother was born in Nazi Germany, my grandparents just got out in 1939, so I’m only here by the skin of my teeth,” he continues. “And as I grow older, the reality of that becomes more clear to me.
“So I find a great sadness but also a rage in me when I think about people saying it didn’t happen, and I feel a little bit out of control about how I’m going to react to it, which is weird when you’re making a TV programme.”
Although he didn’t necessarily go in there trying to change opinions, he states.
“One of the things about conspiracy theorists is they will convert anything you say into their own truth,” notes Baddiel, who was advised not to meet Mulqueen by historian Deborah Lipstadt, who widely believes that to debate the subject is to denigrate the memory of the victims and the event.
“I also thought it was important for people to see the ludicrousness of his position, but as the film shows I did get drawn in, in a way that I don’t believe in,” he accepts.
“But it’s really hard once someone is spouting facts at you, to try to not refute them and keep the discussion about, ‘Why are you doing this?’”
He follows: “There’s this thing on the internet which is, ‘Don’t feed the trolls’ – now I don’t agree with that to some extent because I think our culture is being shaped by the troll and ignoring them has not worked.”
“It doesn’t mean that confronting them will work completely,” he’s quick to point out, the film also documenting a meeting Baddiel has with Facebook’s director of public policy, Richard Allen, in a bid to berate the platform for allowing posts promoting denial to be shared on its site.
“But it is a debate that we have to have, because we no longer live in a culture where what is spoken about and what truths are told and what lies are told are objective anymore.
“So my personal feeling is you have to try to take them on, but I was trying to do that in a judicious way.”
Is he concerned that the film could fan the flames?
“I got some traffic when the BBC mentioned it as part of the new season and I’m sure I will when it comes out,” responds the father of two. “But when I say I’m concerned about that, what I mean is I need to express it – not that this is a reason not to make the film.
“Hopefully finishing on the actual reality of what actually happened, you reach a place of resolution,” he says in reference to the final scenes, which include emotional first-hand testimony from survivor Rachel.
“So if you watch the whole film, the one thing you won’t do is fan the flames.”
Rather, Baddiel has faith it will spread “awareness of the truth” and educate those
– a reported one in six people – who don’t know about the Holocaust or don’t believe it happened the way in which it did.
“It was very important to me that we understood Holocaust denial not to be just these strange men who say it didn’t happen,” he concludes. “The Nazis were involved, the British were involved, and there are different types of Holocaust denial all over the world.
“So I hope by bursting the bubble and saying, ‘We can talk about it, in a careful way’ – I mean, who knows if we got everything right? It’s so complex – will inform and defend the truth of the Holocaust.”
Confronting Holocaust Denial With David Baddiel airs on BBC Two on Monday February 17.