Compelling tale that displays the power of the spoken word

The old adage goes that “there are two sides to every story,” but we are provided with three accounts of the same events by Brian Friel in his compelling tale of the Faith Healer, director Elizabeth Newman’s autumn production at Pitlochry Festival Theatre.

It comes in the form of a melange of monologues – two from Frank Hardy (the faith healer), sandwiching meaty contributions from his wife, Grace, and manager Teddy.

Friel’s piece displays the power of the spoken word unencumbered by complicated lighting plots or ever-evolving sets, and is given the respect it deserves by a trio of stars of stage and screen.

Played out on Amanda Stoodley’s setting of a dingy hall, the dimmed lighting in the auditorium drags the audience into Frank’s world as he passionately describes his version of his “gift” and private life.

George Costigan gives a fascinating performance of the tragic figure as he shambles around in a dream-like state.

It’s a far different story from Grace, his devoted but put-upon wife, whom he claims never to have married. Kirsty Stuart evokes all the sympathy as the character descends into a world of booze and fags.

The mood shifts with Richard Standing’s cheery cockney manager, who bemoans the diminution of the old variety scene.

His version of events leading up to a memorable night in a Welsh pub and the return to their native Ireland also add a new dimension.

FH = Frank Hardy, faith healer, fascinatingly heartwarming, breaking or rending. Three sides to this story.

Faith Healer (a collaboration between Pitlochry and Eden Court, Inverness) continues at Pitlochry until November 3, followed by a Highlands and islands tour, including a stop-off in Crieff on November 9.