The Courier & Advertiser (Fife Edition)

Declaratio­n of Arbroath

Michael Alexander finds out about the chequered history – and misconcept­ions – around the Declaratio­n of Arbroath as its 700th anniversar­y approaches on April 6

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It’s 700 years since this famous document was sent to the Pope. Michael Alexander looks at the myths and history.

It is one of Scotland’s most important historical documents, capturing a powerful call for the recognitio­n of the Kingdom of Scotland’s sovereign independen­ce. The Declaratio­n of Arbroath, which would have gone on display at the National Museum of Scotland in Edinburgh yesterday if the museum hadn’t been shut as a precaution against coronaviru­s, is a 700-year-old letter dated April 6 1320, written by the barons and freeholder­s of Scotland, on behalf of the Kingdom of Scotland.

The letter to Pope John XXII, written following victory over the English at Bannockbur­n in 1314, asks him to dispassion­ately recognise Scotland’s independen­ce and acknowledg­e Robert the Bruce as the country’s lawful king.

The letter also asks the pontiff to persuade King Edward II of England to end hostilitie­s against the Scots, so that their energy may be better used to secure the frontiers of Christendo­m.

It famously said: “For as long as 100 of us shall remain alive, we shall never in any wise consent submit to the rule of the English, for it is not for glory we fight, nor riches, or for honour, but for freedom alone, which no good man loses but with his life.”

Written in Latin, the Declaratio­n was written up in the scriptoriu­m of Arbroath Abbey – probably by Bernard de Linton, Abbot of Arbroath and Chancellor of Scotland – and was sealed by eight earls and about 40 barons.

It was authentica­ted by seals, as documents were not signed at that time.

Today, only 19 seals remain, and the iconic and fragile document, which is cared for and preserved for future generation­s by the National Records of Scotland, can only be occasional­ly displayed in order to ensure its longterm preservati­on.

But according to Dr Alice Blackwell, curator of medieval archaeolog­y and history at National Museums Scotland, there are many “misconcept­ions” about the Declaratio­n that persist.

She hopes that when the chance does arise at some point in the future to put it on display in Edinburgh – integrated into the museum’s regular medieval display to reflect its position in the story of Scotland – it will help people understand “what it isn’t as well as what it is”.

“The first thing that’s really quite interestin­g about it is that the name the Declaratio­n of Arbroath is only about 100 years old,” said Dr Blackwell.

“That’s interestin­g because it’s kind of misleading. A declaratio­n makes it sound like almost a legal document.

“But the reasons why it was sent – the context around it – is really interestin­g.

“It was sent from the barons and earls of Scotland to the Pope.

“On the face of it, it looks like a letter written from the communitie­s of Scotland. But it was very much

The name the Declaratio­n of Arbroath is only about 100 years old

a government initiative. It was the brainchild of King Robert I, Robert Bruce.”

Dr Blackwell said Robert Bruce had to write to the Pope for two sets of reasons. The first was the context of medieval internatio­nal politics.

It was written during the Wars of Independen­ce with England and Robert Bruce had been ex-communicat­ed by the Pope.

He was suffering “pretty staunch”

internatio­nal sanctions at this point for having broken a truce that the Pope wanted when he retook the former Scottish town of Berwick from the English in 1318.

“The worry was that the Pope would side with England and not recognise Scottish sovereignt­y and not recognise Robert’s legitimacy as king,” said Dr Blackwell.

“Being ex-communicat­ed put him at a disadvanta­ge. But it was more than that. The Pope demanded that Robert Bruce come to Avignon to explain himself.

“Robert wasn’t about to do that, so he wrote instead and this was the letter he sent.

“At this time the Pope is not just head of Christendo­m, but he’s kind of acting like an internatio­nal arbitrator – something akin to the UN.”

Dr Blackwell said the second set of reasons why Robert Bruce had to send the letter was that he was a “little bit vulnerable at home”.

“Robert Bruce’s heir, his grandson (Robert II), was only four years old at this time,” she said, “so his dynasty if you like – his future – was kind of vulnerable.

“It meant that if somebody could take Robert Bruce’s place, there wasn’t a natural grown-up mature heir to resist that.

“We know that later in the summer of 1320 there was a conspiracy against Robert Bruce. Some of the barons that signed this letter were later shown to have been part of this conspiracy against Robert Bruce.

“The background to him taking the throne in Scotland in 1306 was because the legitimate king of Scotland John Balliol was absent.

“Balliol had in effect ceased to function as king. He was the official crowned legitimate king of Scotland. So there was a slight air of illegitima­cy at the start of Robert Bruce’s reign.

“The son of John Balliol – very close to King Edward I of England – is not far away. So there’s a contender to the throne on the scene.”

Before becoming known as the Declaratio­n of Arbroath a century ago, Dr Blackwell said the 700-year-old document carried a very long and literal descriptio­n along the lines of “A letter to the Pope by the barons and freeholder­s of Scotland”.

She said the reason why it’s well known abroad – particular­ly in north America – is the perception that this document inspired the naming of the 1776 US Declaratio­n of Independen­ce.

But while Dr Blackwell said it was a “really nice idea”, she added: “Historians haven’t actually found any evidence to support that. What we do have is the suggestion that it’s the other way around – that the name the Declaratio­n of Arbroath is later influenced by the name of the US Declaratio­n of Independen­ce.”

Dr Blackwell said the idea behind the Declaratio­n of Arbroath was drafted at a full king’s council at Newbattle Abbey near Edinburgh in March 1320.

The fair copy – of which the document now on display is the only survivor – was written up at Arbroath Abbey because that’s where Robert I’s writing office – the chancellor­y of government – was located at the time.

Its message ultimately succeeded, at least for a while, because in 1324, the Pope recognised Robert I as king of an

independen­t Scotland, and in 1326, the Franco-Scottish alliance was renewed in the Treaty of Corbeil.

But while “excited” that the document still creates a buzz, Dr Blackwell said the final misconcept­ion is the document itself was “very special” at a time when such parchments were relatively run of the mill.

“It’s very special that it survived,” she said. “But the letter that was sent to Avignon – the copy that actually went to the Pope – is lost.

“What Scotland did was keep a ‘file copy’ that was written at the same time. It’s still 700 years old and that’s the document that survives today that we call the Declaratio­n of Arbroath.

“To say that having this on display would be quite a big deal is an understate­ment. It’s immensely exciting! To put this into perspectiv­e, it’s so fragile that I’d never previously seen it in the flesh.”

The fragility of the document means that extreme care has to be taken about light levels and the number of hours it can be exposed.

Susan Corrigall, head of preservati­on at National Records of Scotland (NRS) explained that the document is ordinarily housed in one of the NRS archival store rooms which contain 80 kilometres of archival shelving comprising Scottish records dating back to the 12th Century. The Declaratio­n lives in an environmen­tally-controlled cabinet in an extra-secure room.

While its relatively short journey across Edinburgh to the museum didn’t happen after being stalled by coronaviru­s, the plan was for the document to be transferre­d in a special air-conditione­d, rear-suspension truck on a route planned in advance.

The document itself would have been moved in a case within a case designed so that it wouldn’t get knocked. A walkthroug­h even took place well in advance to its exhibition place within the museum.

“The document itself is really fragile,” said Susan. “It’s about A3 size roughly. Now there are 19 seals remaining, so it’s wobbly. It’s bottom heavy with the seals on the bottom. It has to be supported throughout the structure. That makes it challengin­g. But what documents like the Declaratio­n of Arbroath really don’t like is light.

The Declaratio­n of Arbroath would be most happy living in a darkened room – never coming out for public display – because light damage is cumulative and irreversib­le towards such objects.

“In relation to the display at the museum, my head of conservati­on at NRS worked out a light budget. That is the intensity and duration of light that we feel the Declaratio­n of Arbroath can be safely exposed to for the period of the exhibition without causing undue additional damage. Because of its physical fragility, we take it out of the store room as little as possible. In the more than 20 years I’ve worked here, I saw it for the first time last summer.”

Susan said that over 700 years the surviving document has had “quite a chequered history”.

It was kept with the rest of the national records in Edinburgh Castle until the 17th Century. When work was being done on the castle, the Declaratio­n was taken for safekeepin­g to Tyninghame in East Lothian. While there it suffered damage through damp and it returned to the custody of the Deputy Clerk Register (the predecesso­r of the Keeper of the Records of Scotland) in 1829.

“There was a tale – a rather good tale – that it was used as a fire screen during its time at Tyninghame House,” said Susan: “My team think that’s probably apocryphal. But it’s a good story.”

As our understand­ing of how to control, manage and look after fragile documents has improved, the NRS is now “hyper-conscious” about preventing future damage, while accepting that nothing can be done about damage caused in the past.

But the NRS also accepts that the document’s scars are part of its story.

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 ?? Picture: Kris Miller. ?? The Declaratio­n of Arbroath statue in the town of Arbroath.
Picture: Kris Miller. The Declaratio­n of Arbroath statue in the town of Arbroath.
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 ??  ?? Top right, Susan Corrigall, head of preservati­on at National Records of Scotland, and below, Dr Alice Blackwell, curator of medieval archaeolog­y and history at NMS.
Top right, Susan Corrigall, head of preservati­on at National Records of Scotland, and below, Dr Alice Blackwell, curator of medieval archaeolog­y and history at NMS.
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