The Courier & Advertiser (Fife Edition)

GENTLE APPROACH

- With Paul Whitelaw

The rate of UK school exclusions for five to six-yearolds has doubled in the last three years. This sensitive new series visits a primary school which, like so many schools, struggles to cope with the extreme behaviours of certain pupils. Enter the aptly-named behavioura­l expert Marie Gentles, who has spent 10 years working with excluded children. She gradually forms close profession­al relationsh­ips with the kids, their parents and teachers, in the hope of making life better for them. The children she meets come across as bright and sensitive, but they’re prone

to sudden angry outbursts – no one so far has been able to explain why. Gentles, a beacon of kindness, works

realistic wonders.

The Mischief Theatre company are renowned for their knockabout send-ups of incompeten­t amateur dramatic production­s. I’m reliably informed that their

live shows are great fun, but my only exposure to them

has been via these middling TV adaptation­s. Something

has been lost in translatio­n. It’s a theatrical conceit, ill-suited to the constraint­s of being filmed for television. The blatantly tweaked audience laughter track

doesn’t help. I don’t want to be too down on this harmless

show, it’s an agreeable piece of family entertainm­ent written and performed by a capable cast. Unfortunat­ely, for me, the joke wears thin. It’s like an overextend­ed Crackerjac­k sketch. Great.

I feel terrible now.

Please take heed – this is a particular­ly gruelling episode of a series that’s

seldom upbeat. It chronicles the case of a man who, in broad daylight, invaded a house and brutally assaulted the inhabitant­s – a woman, her daughter and teenage

grandniece. The police captured a clear image of the attacker on CCTV – a brothel

owner and human trafficker with a string of GBH offences. They also had his fingerprin­ts. Unfortunat­ely, the investigat­ion was placed in jeopardy when an entirely well-meaning family member shared the CCTV footage on social media, offering a £20,000 ransom award. Naturally, the attacker fled the country. An uncomforta­ble watch. Don’t have nightmares.

28 Up: Millennium Generation – Wednesday, BBC One, 9pm

A 21st-Century spin-off from Michael Apted’s seminal 7 Up project, this valuable

social document has reached its fourth chapter. You know the premise – British kids from various walks of life are filmed at

seven-year intervals, and an anthropolo­gical study that tells us something about the ways society has changed in their lifetimes. Episode one catches up with Sanchez, now a Black Lives Matter campaigner and a DJ for BBC Leeds. We also reconvene with Gemma, a disabled woman who works with children from disadvanta­ged background­s, and Courtney, a trainee teacher devoted to pupils with additional needs. Call me a pie-eyed optimist if you will, but they provide some hope for the future.

Hollington Drive –

Wednesday, STV, 9pm

Set in an idyllic suburb where most of the dwellings look like luxury show homes, this psychologi­cal thriller stars Anna Maxwell Martin and Rachael Stirling as sisters with a tense, brittle relationsh­ip. When a 10-yearold boy goes missing from the neighbourh­ood, Theresa – Anna Maxwell Martin, excellent as always – begins to suspect her son might be involved. This is one of those chilly dramas in which no one really seems to like each other. That constant buzz of passive-aggression is quite exhausting. Despite the sombre subject matter, it’s curiously opaque and uninvolvin­g. Imagine an unusually depressing episode of Knot’s Landing, then decide if that’s something you want to watch.

Hitmen Reloaded – Wednesday, Sky Showcase, 9pm

The cuddly comedy

duo of Mel Giedroyc and Sue Perkins playing killers-for-hire is a daft, intriguing premise, and it

was exploited to reasonable effect in series one of this sitcom. And now they’re back for another run. A black farce with a dash of warmth, it posits Mel and Sue as assassins who treat their job as exactly that – a workaday way of paying the bills while dealing with the far bigger problems in their personal lives. Mel and Sue are a likeable team who’ve developed a natural chemistry after years of working together. They convince as daffy old middle-aged pals, because that’s what they are. And Sue is a surprising­ly effective

kick-ass action hero.

Richard Osman’s House Of Games Night – Friday, BBC One, 8.30pm

An early evening cult hit of sorts on BBC Two for the last few years, Richard Osman’s House Of Games is an inoffensiv­e fancy in which celebritie­s compete via “esoteric” trivia rounds. Last year during lockdown it filled an emergency gap on BBC One, which was presumably successful enough to warrant another series. So here he is, the

enormous funster presiding over the likes of Dara O’

Briain and Sian “Car Share” Gibson as they attempt to answer questions about the unrelated provenance of test tube babies and the Teletubbie­s. It is what it is – a

cheap, cheerful Friday night parlour game wreathed in whimsy. And well done to those of you at home who

get the right answers.

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 ?? ?? EXPERT: Marie Gentles works with excluded children.
EXPERT: Marie Gentles works with excluded children.
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 ?? ?? Top, Mel Giedroyc and Sue Perkins in Hitmen Reloaded. Above left, The Goes Wrong Show. Above right, Rachael Stirling and Anna Maxwell Martin in Hollington Drive.
Top, Mel Giedroyc and Sue Perkins in Hitmen Reloaded. Above left, The Goes Wrong Show. Above right, Rachael Stirling and Anna Maxwell Martin in Hollington Drive.

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