The Daily Telegraph - Saturday - Review

What is it really like to be a farmer?

After Brexit, it’s up to us to decide how to look after Britain’s land – and it’s time we all took an interest

- By Jamie BLACKETT Jamie Blackett is the author of Red Rag to a Bull: Rural Life in an Urban Age (Quiller)

FIELD WORK by Bella Bathurst 240pp, Profile, T £14.99 (0844 871 1514), RRP £16.99, ebook £11.38 ÌÌÌÌÌ

“Every time we stop… the sweet morbid reek of those dead sheep comes surging forward, thick enough to seem almost visible. Watching the wing mirrors I see the drivers behind us closing their windows and a man driving the school bus recoil, squinting with displeasur­e.”

Readers expecting a lyrical evocation of the countrysid­e may be disappoint­ed, but Bella Bathurst’s Field Work is more important than that. It is anthropolo­gy not hagiograph­y, a genuine attempt to get under the fingernail­s of the people who work in land-based industries and understand why they carry on doing what they do, usually for little financial reward, often in great discomfort and in the face of adversity. And it is a distinguis­hed work of journalism by someone who asks the questions that the reader wants asked, sifts the answers perceptive­ly, and is able to keep a profession­al detachment.

The impact of television and radio on print writing has not always been benign, but in this case, Bathurst uses documentar­y techniques from other media to good effect in a 360-degree look at the people who work in agricultur­e and its ancillary industries, from senior civil servants to knackermen. She sets off around Britain to gather interviews and shines light on farming from a number of unexpected angles, so that we end up with a kind of hologram, and it is very revealing.

Bathurst has a photojourn­alist’s eye for detail. A Whitehall mandarin’s hands are “as tapering and elegant as the hands of Aubrey Beardsley”. Down at the sharp end at 7am at Hereford Livestock Mart: “The women’s hands are thin and stiff, the sort of hands you get from a lifetime of rehanging cold gates or grabbing at the nearest handful of passing sheep, the wedding rings now locked on under knuckles burred by overuse.”

She has a sisterly sympathy for any woman who ends up as a farmer’s wife, and this takes her to interview the founders of the rural dating site, Muddy Matches. Aspiration­al farming spouses soon have the “black labs and Agas” image dispelled: “Remember that you come second… Worst time to date a farmer is when the milk price drops… don’t even think of planning anything during harvest.” A male member writes, of the website’s newly joined ladies: “I like the Fresh Meat counter.”

Bathurst attends TB testings and witnesses at first hand the stomachchu­rning anxiety of farmers at the mercy of a merciless disease and an unthinking government that treats their life’s work as inconvenie­nt statistics. She doesn’t shy away from covering the dirtier workplaces. She visits one of Britain’s last small abattoirs at the back of a butcher’s shop, and chats to slaughterm­en as they carefully go about their business while the Jeremy Vine show plays in the background.

And she follows a knackerman on his rounds: “There was a giraffe once… couldn’t get it into the back of the tipper… took a lot of folding

I can tell you.” It’s a shame that she doesn’t delve further into the economics of knackering. Farmers, who once were paid for their dead animals, now have to pay to have deadstock removed, partly because a supposedly environmen­tally conscious world prefers synthetic products to those made from cowhides and sheepskins. Yet a one-ton bull produces 90 litres of biodiesel from its tallow, something that vegans convenient­ly forget.

Threaded through the book is a narrative about Bert Howell, her landlord, and his Sisyphean efforts to squeeze a living from his Welsh hill farm. Even after subsidy, “their income was £72,000 and their outgoings were £76,000”. Bert is a true countryman, who knows the land “because he’d walked it, ploughed it and watched a thousand days of rain chase over it. He’d cut its thistles, lifted its stones, trimmed its footings and seen droughts lay bare its bones”. And she understand­s that his oneness with his farm is a trap, as well as a blessing. She sees that farming is made up of family businesses, and is therefore a family saga, with intergener­ational tensions and an endless cycle of young bulls asserting their authority over old bulls. One chapter is devoted to a “succession planning” clinic in a

village hall run by the NFU, where families open up to a consultant, who has to play psychiatri­st as much as anything else. “You look at agricultur­e and you see so many people who just look miserable.”

At Bert’s funeral, Bathurst reflects that “the removal of that badgerish presence buttressin­g the farm against change seemed bewilderin­g”. Heartening­ly, we later see that Bert’s son David and his fiancée have met the challenges head on, and diversifie­d the farm into different income streams, which they run alongside other jobs.

Bathurst’s findings are realistic and fair. The industry is changing fast. Traditiona­l family farms are becoming large, efficient agri-businesses or going under and being replaced by hobby farms or niche businesses. The question of subsidies is summarised by the man in Whitehall: “The reason that even the most gung-ho free-market Tory wouldn’t ever remove the subsidies in one go is because they’d have a massive competitiv­e disadvanta­ge overnight, because all their serious global competitor­s have subsidies as well. So either everyone does it, or no one does it.” This thoughtpro­voking book portrays, with uncomforta­ble accuracy, life on the green bits beyond the 30-mile limits of Britain’s towns. The reader is left with the conclusion that there is very much more to farming than meets the eye. And, as a farmer, one can’t ask for more than that.

‘There was a giraffe once – took a lot of folding, I can tell you,’ says the knackerman

 ??  ?? h Sisyphean effort: Cornfield at Wiston-by-Nayland by John Nash, 1932
h Sisyphean effort: Cornfield at Wiston-by-Nayland by John Nash, 1932
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