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Beauty bible

Beautiful make-up palettes for showing off with in public

- Celia Walden

Celia Walden on the power of a good compact

ACCORDING TO DEBRETT’S, ‘applying make-up on public transport can jeopardise that all-important first impression and make you appear disorganis­ed.’ Can you even imagine the white-hot shame you might feel if a bunch of random commuters thought you were ‘disorganis­ed’? Of course you can’t. Because you’re not wearing a powdered wig and a bustle, and it’s most likely far more important to you that your colleagues, prospectiv­e boss or date never get to see your boat race as nature intended. But, actually, I’m inclined to agree with the breeches-clad bods at Debrett’s. Applying make-up in public should only be done in absolute emergencie­s of the kind that arise, oh, I don’t know, four to five days a week.

Along with the etiquette thing (a quaint notion in itself ) there’s the dignity aspect. Really it’s the freaky faces we pull when applying make-up that has always stopped me doing it either in public or in front of my husband; it’s how ugly you look in your attempts to be beautiful – or passable, at any rate. And if that isn’t undignifie­d, I don’t know what is.

There is one exception to this spurious rule: and that’s when compacts and make-up palettes of extreme beauty are being used. These instantly elevate you from harassed female slapping on slap aboard a number 10 bus to a film noir femme fatale using her exquisite poudrier to check if she’s being followed.

I still have the first Chanel Poudre Universell­e compact my mother gave me for Christmas in my mid-teens. The powder’s been rubbed clean but otherwise it looks brand new: that classic, art-deco little black box never gets old. Others I’ve been given since have similar value – a vintage enamel Christian Dior eye-make-up compact and Paul & Joe limited-edition Tom and Jerry pressed powder from last year. As everyday objects of beauty that can last for years, they are the perfect Christmas present. And, luckily, there’s a whole selection out there to give and receive.

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 ??  ?? Man Ray The Veil Cheek Palette, £32, Nars (narscosmet­ics.co.uk). These three buildable shades are perfect for highlighti­ng and contouring.
Man Ray The Veil Cheek Palette, £32, Nars (narscosmet­ics.co.uk). These three buildable shades are perfect for highlighti­ng and contouring.
 ??  ?? Gold Palette, £59, Guerlain (debenhams.com).
This art-deco-style compact contains a full make-up set with shades that can be applied wet or dry.
Gold Palette, £59, Guerlain (debenhams.com). This art-deco-style compact contains a full make-up set with shades that can be applied wet or dry.
 ??  ?? Palette Essentiell­e, £52, Chanel (chanel.com). This corrects imperfecti­ons, highlights and revives skin tones. Apply with fingertips for a fresh, dewy look.
Palette Essentiell­e, £52, Chanel (chanel.com). This corrects imperfecti­ons, highlights and revives skin tones. Apply with fingertips for a fresh, dewy look.
 ??  ?? Touche Eclat Le Cushion Foundation, £40, YSL Beauty (johnlewis.com). This flew off the shelves when it was launched this year in a rose-gold compact.
Touche Eclat Le Cushion Foundation, £40, YSL Beauty (johnlewis.com). This flew off the shelves when it was launched this year in a rose-gold compact.
 ??  ?? Jewelled Starfish Powder Compact, £200, Estée Lauder (harrods.com). One-of-a-kind powder compacts that are works of art to keep forever.
Jewelled Starfish Powder Compact, £200, Estée Lauder (harrods.com). One-of-a-kind powder compacts that are works of art to keep forever.
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