The Daily Telegraph

MAN FRIDAY WHY YOU SHOULD BE SAMPLING A FINE VINTAGE

This autumn is all about modern takes on heritage classics, says Stephen Doig

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If you happened to find yourself in south London, last weekend, you might have been treated to a curious sight: a host of Hell’s Angels-alikes roaring through town on motorbikes, but attired like flat-capped lords of the manor.

This fanfare was the Distinguis­hed Gentleman’s Ride, a charity endeavour that – in associatio­n with Zenith Watches – saw 50,000 bikers take to their chariots in their finest attire: a rush of tweeds, herringbon­es and windowpane checks shooting past, renegade spirit and tradition combined.

Likewise, in even the most contempora­ry and youth-centric of stores this autumn there’s a whiff of grandfathe­r’s Sunday best. A heritage influence is being felt in men’s style – nubbly tweed, tartans, checks, corduroy and jackets more appropriat­e for a shooting party than schlepping around the city.

There’s an undoubted appeal to the idea of heritage

dressing – by which I mean a certain countrifie­d aesthetic and focus on classic materials. But it can occasional­ly veer into pastiche and costumery: you’re only one Donegal tweed jacket away from encroachin­g on Toad of Toad Hall territory, or looking like an extra from Downton Abbey.

Thankfully the idea of tweed as a fusty fabric has been nixed at new company Dashing Tweeds. Founded by photograph­er Guy Hills and textile specialist Kirsty McDougall, it marries a Savile Row sensibilit­y with a sporty vim. Jackets and suits in sumptuous wools are engineered to fit into a city worker’s dynamic life. Be it cycling to work (certain weaves have fabrics used for reflective stripes incorporat­ed into them) or braving the elements (they come with waterproof treatments), these clothes are aimed at the fellow whose daily life is more meetings and appointmen­ts than Monarch of the Glen. Similarly, astute designers are ensuring that the concept of “heritage” is carried forward into the 21st century, producing clothes that toy with traditiona­l motifs and pattern. At Gieves & Hawkes, houndstoot­h check gets exploded into a supersized format on a nifty bomber jacket to modernise it. At Dior Homme check comes in micro-form (if we’re being picky, its technical name is “puppy tooth”), reimagined in punkish jackets and baggy trousers. And at Gucci – currently a bellwether of the fashion zeitgeist – plaids and checks are worn with trashed-up denim and dayglow.

I’m not suggesting you break out the neons with your classic Crombie, but rendering heritage signifiers in a sharp and slick way – as part of a sporty jacket or offset with minimalist clothes instead of layered against one another like a heavilylad­en country house drawing room – will ensure that the musty vintage store whiff is kept firmly at bay.

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 ??  ?? Gieves & Hawkes autumn/winter 2016
Gieves & Hawkes autumn/winter 2016
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