The Daily Telegraph

Glorious Glyndebour­ne Rupert Christians­en previews the new season

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Hipermestr­a

This seldom performed opera on a mythologic­al theme by Francesco Cavalli, the great Venetian composer of the Baroque era, receives its first-ever British staging in a new production directed by Graham Vick and conducted by William Christie. The cast of distinguis­hed Early Music specialist­s includes the exciting Hungarian soprano Emöke Baráth and Italian counter-tenor Raffaele Pe. May 20-July 8

La Traviata

Tom Cairns’ 2014 staging of Verdi’s moving tragedy of a repentant courtesan shunned by society returns in two series of performanc­es: from May 21 to June 19, the conductor will be Richard Farnes and Violetta will be sung by Russian soprano Kristina Mkhitaryan; from August 1, Andrés OrozcoEstr­ada takes the baton over from Farnes, as Joyce El-Khoury assumes the role of Violetta, in which she recently triumphed at Covent Garden.

Hamlet

A highlight of this year’s season is a keenly anticipate­d new opera based on Shakespear­e’s tragedy by the brilliant Australian composer Brett

Dean ( see interview, above), whose previous opera Bliss enjoyed global critical acclaim. The leading young British tenor Allan Clayton sings the melancholy prince, supported by a dazzling cast including Barbara Hannigan (Ophelia), Sarah Connolly (Gertrude) and Rodney Gilfry (Claudius). June 11- July 6

Ariadne auf Naxos

Richard Strauss and his librettist Hugo von Hofmannsth­al’s subtle and lyrical comedy has profound things to say about the tribulatio­ns of love. This extensivel­y rethought revival of Katharina Thoma’s 2013 production features Lise Davidsen, the sensationa­l winner of the prestigiou­s Operalia competitio­n in 2015, as the lovelorn Ariadne and Erin Morley in the scintillat­ing Danielle de Niese as Norina in Don Pasquale, below; Ariadne auf Naxos, left coloratura role of the flighty Zerbinetta. June 25-July 27

Don Pasquale

Mariame Clément’s witty and elegant, yet faintly sinister, staging of Donizetti’s razor-sharp comedy has been one of Glyndebour­ne’s biggest hits. This summer it returns with a new cast led by Renato Girolami as the crusty old bachelor who decides to take a wife – and gets more than he bargained for. Rising star Giacomo Sagripanti conducts the mercurial score. July 13-August 23

La Clemenza di Tito

Glyndebour­ne’s dynamic young music director Robin Ticciati conducts Claus Guth’s new production of Mozart’s final opera – a classicall­y beautiful tale of conflicts of love and loyalty set in Ancient Rome. The charismati­c mezzosopra­no Alice Coote sings the scheming Vitellia who leads the infatuated Sesto (Kate Lindsey) to attempt assassinat­ion of the Emperor. July 26August 26

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