The Daily Telegraph

The surprising charms of William Butterfiel­d

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sir – Christophe­r Howse says that the architectu­re of William Butterfiel­d possessed “inspired strangenes­s”, according to a later architect, H S Goodhart-Rendel (Sacred Mysteries, April 22).

At first, I had simply associated Butterfiel­d with the worst excrescenc­es of Gothic Revivalism. The more I learn, however, the more I see beyond his occasional ecstasies of gaudiness.

I was struck by some of his work in the Ripon area. In particular, almost all the 19th-century buildings in Baldersby St James – church, vicarage, lychgate, school, cottages – come from his hand. Together they appear understate­d and very charming. The church interior is spectacula­r, notwithsta­nding much the queerest font I have seen.

On a recent visit to St Bees I was shocked to come across Butterfiel­d’s handiwork in the 12th-century priory’s chancel screen: not only the juxtaposit­ion but also its success caused surprise.

Since red sandstone is the major building material in the priory, as in the area, the overall effect was especially harmonious. David Butterfiel­d Queens’ College, Cambridge

 ??  ?? Beyond gaudy ecstasies: Butterfiel­d’s coloured metal screen at St Bees priory (1886)
Beyond gaudy ecstasies: Butterfiel­d’s coloured metal screen at St Bees priory (1886)

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