The Daily Telegraph

Arts Council slashes funding for London

Arts Council to invest extra £170m outside London for small groups that ‘look like their communitie­s’

- By Anita Singh ARTS AND ENTERTAINM­ENT EDITOR

The Arts Council has cut funding to the nation’s leading arts organisati­ons and allocated the money to smaller companies outside London with a commitment to diversity and disadvanta­ged communitie­s. The Royal Opera House, National Theatre and Royal Shakespear­e Company have all taken a three per cent cut, with the Southbank Centre accepting a four per cent reduction.

THE Arts Council has cut funding to the nation’s most eminent arts organisati­ons and allocated the money to smaller companies outside London that can demonstrat­e a commitment to diversity and disadvanta­ged communitie­s.

The Royal Opera House, National Theatre and Royal Shakespear­e Company have taken a 3 per cent cut, with the Southbank Centre accepting a 4 per cent reduction. All said the decision placed them under financial pressure.

The biggest losers include Hampstead Theatre in north London, where Harold Pinter tested many of his plays. The Arts Council said its funding was being brought into line with other theatres of a similar size, but Hampstead’s artistic director, Edward Hall, said the 14 per cent cut “swings a wrecking ball” into its plans for the future.

The museums of Oxford and Cambridge universiti­es were also confronted with significan­t reductions in funding, of 10 per cent and 17 per cent respective­ly.

New organisati­ons admitted to Arts Council England’s national portfolio for the first time include Paraorches­tra, the world’s first profession­al ensemble of disabled musicians; Ballet Black, which aims to bring dance to a more culturally diverse audience; Luton Car- nival, an annual family event; and the Rural Media Charity, which makes digital arts projects about disadvanta­ged countrysid­e communitie­s.

The “Big Four” organisati­ons agreed to take a hit for the greater good, according to the Arts Council chairman and former Tate chief, Sir Nicholas Serota. They can also tap up wealthy donors, he added, something smaller companies are unable to do.

“This is about national organisati­ons recognisin­g that they can only really flourish if the whole ecology flourishes,” he said. “These are organisati­ons that are each in receipt of really substantia­l funding. And they are also organisati­ons that have made great progress in raising funds. They are in a position to go to trusts and foundation­s and benefactor­s.

“And they have all agreed to this. We took a view about what they might be able to afford to let go, and we immediatel­y came to an agreement with them.”

However, the Royal Opera House chief executive, Alex Beard, said the company will face “undoubted challenges as a result of this funding cut, and will have to find ways to reduce costs”. The National Theatre said making up the shortfall “will not be easy and it puts even greater pressure on box office, fundraisin­g and commercial activity”.

Arts Council England will fund a total of 831 organisati­ons from 2018-22, and invest an additional £170 million outside London. Manchester Internatio­nal Festival’s funding will rise by 1,123 per cent, from £729,000 per year to more than £9million per year. The money will go towards a new building and exhibition space.

Diversity was at the forefront of the funding announceme­nt, with organisati­ons required “to look like their communitie­s” in terms of ethnic minority make-up, gender and disability.

Darren Henley, chief executive of Arts Council England, said: “Diversity is absolutely central to what we do. We’ve done a lot to put this at the heart of our thinking and I’m very proud of the steps we’ve taken.”

Towns and cities including Plymouth and Stoke-on-trent will get increased investment. English National Opera, once placed in special measures by the Arts Council, is now back in the fold with a deal amounting to £12.4 million a year. Twenty-four organisati­ons have been dropped from the list.

 ??  ?? Emilia Fox and Theo James in Sex with Strangers at the Hampstead Theatre, which has to take a 14 per cent cut
Emilia Fox and Theo James in Sex with Strangers at the Hampstead Theatre, which has to take a 14 per cent cut

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