The Daily Telegraph

Protect the BBC’S best

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SIR – As a former BBC Radio 4 commission­ing editor, I am – along with the rest of the independen­t production sector – deeply concerned by Ofcom’s proposals to reduce the BBC’S radio obligation­s, which would remove quotas in some very important genres (Letters, September 12).

The BBC is supposed to be distinctiv­e, and the independen­t production sector’s view is that requiremen­ts for genres such as drama and comedy on Radio 4 and drama on Radio 3 need to remain, as well as other requiremen­ts, such as content from the UK’S nations. They are much loved by audiences, for whom they make the BBC distinctiv­e from commercial radio.

Radio also allows the BBC to pilot new comedy and drama, which sometimes transfer to television.

We fear there may be a generic broad-brush approach to future budget cuts that disproport­ionately affects radio production. For example, Radio 4 drama currently only just exceeds the 600 hours previously stipulated by the BBC Trust, and we fear that this level could be reduced significan­tly.

We are making the case to Ofcom for the retention of these regulation­s, so that we continue to have distinctiv­e, high-quality BBC radio services.

Caroline Raphael

Vice-chairman Radio Independen­ts Group London N10

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