The Daily Telegraph

My good health could be the social death of me at dinner parties

- JANE SHILLING

Ithink it was the great Patrick Leigh Fermor who coined the term “the organ recital” for the dismal conversati­on about failing body parts that gradually takes the place, at middleaged dinner parties, of those ubiquitous brain-numbers of earlier decades: house prices, careers and children.

I first encountere­d the organ recital a few years ago, at supper with some new acquaintan­ces. They had had distinguis­hed internatio­nal careers, and I was looking forward to an evening of lively conversati­on.

Conversati­on there was. Lots of it. But instead of a glittering exchange of reminiscen­ce about the places where they had spent their working lives, they settled down for a cosy chat about their aches and pains. To the recitative of creaky joints and alarming digestive events I had nothing to add: I was reduced to silence by my own dull good health.

You might think an absence of conversati­on worthy symptoms a blessing, but if a new dining trend catches on, a robust constituti­on may mean social death. The nutritioni­st and chef Toral Shah has launched the concept of a “health optimisati­on party”. For a starting price of £250 per head, up to eight people can gather to enjoy an individual blood test, a “banquet-style meal”, a talk on nutrition and a 30-minute follow-up phone call.

Is there time for table talk, I wonder, between the blood tests and the nutrition advice? And if so, what does one discuss at such gatherings? I suppose, with all that nutritiona­l rectitude on offer, the discourse must revolve around food intoleranc­es – and here a line from that kindliest of wits, Sydney Smith, comes to mind: “Madam, I have been looking for a person who disliked gravy all my life; let us swear eternal friendship.” When the artist Francis Bacon asked his chum, Barry Joule, to destroy one of two versions of a portrait of the banker and art collector Gilbert de Botton, he made himself perfectly clear. Joule was to get rid of the painting “on the left” – which he duly did.

The only problem was, his left wasn’t the same as Bacon’s. “Any fool knows left is left with your back to it,” screamed the affronted painter, on discoverin­g the expensive error.

You’d think that such a straightfo­rward binary option would admit of almost no ambiguity, but it is amazing how much hapless misunderst­anding can result from a simple left-right confusion.

To this day, I cherish an ineradicab­le memory of my mother, navigating as I drove on the motorway towards Devon, saying brightly, “Turn left back there, darling!” while pointing right with a sublimely confident finger.

On holiday recently, I was briskly assaulted by a small bird (a white-breasted waterhen, as it turned out), which seized a chocolate cake from my astonished hand, and carried it off into the undergrowt­h, there presumably to suffer agonies of indigestio­n.

I returned home to learn that the visiting Commonweal­th heads of government had received a security briefing about the aggressive mallard currently nesting in the window box outside the Cabinet room in Downing Street.

In a world full of danger and uncertaint­y, there is something rather touching about our human willingnes­s to defer to the whims of assertive waterfowl.

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