The Daily Telegraph

Tiny golden clue turns $30,000 painting into masterpiec­e worth $30m

Artwork in museum storeroom is the bottom half of a classic – and now worth 1,000 times more

- By Nick Squires in Rome

A TINY golden cross provided the clue that enabled art historians to piece together two halves of an oil painting by an Italian Renaissanc­e master, in a discovery that has multiplied by 1,000 times the value of one of the pieces.

One half of the oil painting, entitled The Resurrecti­on of Christ, had been kept in a museum storeroom in Bergamo, northern Italy, for more than a century.

It was considered to be a copy of the work of Renaissanc­e painter Andrea Mantegna, or at best a painting produced by his son.

But an Italian art historian noticed, at the bottom of the painting, the faint outline of a golden cross, and began to suspect that it was not only a genuine Mantegna but part of a larger painting.

Giovanni Valagussa, the museum’s curator, discovered that the barely visible cross at the base of the painting matched a staff held by a figure in an acknowledg­ed Mantegna work, Descent into Limbo, completed in 1493. That work sold to a private buyer at Sotheby’s in New York in 2003 for more than $28million (£21m).

Further backing up his hunch, Prof Valagussa noticed that a rocky arch in the Resurrecti­on painting matched stonework and the interior of a cave in the Limbo painting.

He realised that the two had once been part of a single work which had been cut in two, as sometimes happened to paintings during the Renaissanc­e era.

“This has been a compelling story of attributio­n, which retraced all the hypotheses and work of past centuries,” said Prof Valagussa. “It restores to the world of culture a great masterpiec­e. It is the most important discovery relating to Mantegna in 30 years.” The linking of the two works means that the top Resurrecti­on panel, newly attributed to Mantegna, is likely to be worth $28 million to $30 million (£22 million).

While kept in storage in Bergamo’s Accademia di Carrara, it had been insured for €20,000 to €30,000 (£15,000 to £22,000) – meaning that it is now worth about 1,000 times more than was previously thought.

The new attributio­n has been confirmed by Dr Keith Christians­en of the Metropolit­an Museum of Art in New York, the world’s foremost expert on Mantegna.

He described the Resurrecti­on painting as “an absolutely top-quality work by one of the defining artists of the early Renaissanc­e.”

Italian experts are now restoring the newly attributed panel, removing centuries of grime and bringing out the original colours of the painting, which shows Roman soldiers astounded by Christ’s resurrecti­on.

Whether the two pieces will ever be reunited in a gallery or museum remains uncertain – the private owner of the lower half is said to be reluctant to allow it out of his hands.

“We’d love to bring the two pieces together after all these centuries of separation and organise an exhibition. We’re hoping to trace the collector,” said Prof Valagussa.

Mantegna was born around 1431 in the village of Isola di Carturo near Padua in northern Italy. At the age of 10 he was apprentice­d to Francesco Squarcione, a painter, who later adopted him.

He then establishe­d his own studio and spent much of his life in the city of Mantua, where he died in 1506.

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 ??  ?? The two halves of the painting joined up
The two halves of the painting joined up
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