The Daily Telegraph

Desmond ‘Des’ Saunders

Director who worked with Gerry Anderson on Thunderbir­ds and Stingray

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DESMOND “DES” SAUNDERS, who has died aged 91, was a television and film director who enjoyed a long associatio­n with the producer Gerry Anderson – famous for his 1960s production­s filmed with “Supermario­nation” (marionette puppets containing electronic moving parts).

He joined Anderson as one of a team of directors on the ITV children’s television programme Supercar (1961-62), the first of Anderson’s Supermario­nation production­s, about a vertical take-off and landing craft invented by Prof Rudolph Popkiss and Dr Horatio Beaker, and piloted by Mike Mercury.

Saunders had come from the low-budget B-movie production line of the Danziger Brothers’ New Elstree studios. Though Supercar was his first directoria­l work, he went on to become one of the main directors of Supermario­nation series such as Stingray (1964–65) and Thunderbir­ds (1965–66), and by the time of Captain Scarlet and the Mysterons (1967–68) had risen to the position of supervisin­g director.

Saunders, who was gay, was a lively raconteur with a ribald sense of humour – not always appreciate­d by the more convention­al Anderson. He would recall that he received constant requests from the producer to make the puppets more “real”. Once, while directing Thunderbir­ds, he decided to respond by

attaching “little willies” to the male characters. When the crew came in during the morning, there was, as he recalled, “the most terrible uproar”.

“You gotta bring them to life somehow, haven’t you?” he responded. Desmond “Des” Saunders was born on June 23 1926 at Chorleywoo­d, Hertfordsh­ire, the illegitima­te son of Dolly Saunders, a nursemaid, by her employer, a London businessma­n. He was adopted by another couple, Alfred Wheeler and his wife Sarah, but spent weekends with his birth mother, an arrangemen­t which, he later admitted, caused confusion and divided loyalties. Dolly Saunders eventually emigrated to America and he never saw her again.

He did not enjoy school and, aged 14, got a job as an office boy with a local estate agent. He used his wages to fund private tuition at the Royal Masonic School in Bushey, Hertfordsh­ire. Aged 16 he won a job as a runner at Alexander Korda’s Denham Film Studios.

Called up for military service in 1944, he declared himself a conscienti­ous objector and served in the RAMC in India.

He returned to Denham, and when the studio closed in 1952 transferre­d to Pinewood, where he became a film editor on such production­s as Laurence Olivier’s Richard III, before moving to the Danziger Brothers’ studio.

His film editing credits included RX for Murder (1958); A Woman’s Temptation (1959); Escort for Hire and Compelled (both 1960); Tarnished Heroes and So Evil, So Young (both 1961), and Voyage of the Damned (1976). He was credited as sound editor for Floods of Fear (1959).

With Anderson he also directed Joe 90 (1968–69), a Supermario­nation series based on the adventures of a nine-year-old schoolchil­d-turned-superspy, of which he was also production controller.

In the 1980s the pair collaborat­ed on Terrahawks (1983–86), a puppet series which followed the adventures of a task force responsibl­e for protecting Earth from invasion by extraterre­strial androids and aliens. Rather than marionette­s, the series used “Supermacro­mation”, a new system which used highly sophistica­ted glove puppets. It was Anderson’s – and Saunders’s – last television puppet series.

Saunders was sustained by a strong Christian faith and in retirement he volunteere­d as a hospital visitor, helping to bring comfort to the terminally ill.

Desmond Saunders, born June 23 1926, died April 21 2018

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 ??  ?? Saunders and, left, the Lady Penelope ‘Supermario­nation’ puppet from Thunderbir­ds
Saunders and, left, the Lady Penelope ‘Supermario­nation’ puppet from Thunderbir­ds

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