The Daily Telegraph

The Aftermath

My father, the peacemaker of post-war Germany

-

The European winter of 1946-47 was one of the coldest of the 20th century. The severe and relentless snowfall compounded the hardship across the continent – not least in Germany, where a defeated population had to rebuild a flattened nation during what came to be known as the Hungerwint­er.

Out of this environmen­t came a remarkable tale of reconcilia­tion and friendship, when Walter Brook, a British colonel installed by Allied powers as governor of Pinneberg, a county near Hamburg, rejected official advice and moved in with a German family.

Rather than requisitio­ning the family home of local baker Wilhelm Ladige and his wife, Erika, a wealthy heiress, Walter decided it was big enough for both families. It helped that the Ladiges had been “anti-hitler as far as one dared” – especially as a family with three children. So in February 1947, Walter’s wife Anthea and their three children – Kim, eight, Sheila, 15, and Colin, 17 – moved into a grand mansion with Wilhelm and Erika and their children Holger, five, Heike, seven, and Theo, 12.

This is the true story behind a new film The

Aftermath, starring Keira Knightley, Alexander Skarsgård and Jason

Clarke, in which two families, who have recently been pitted against each other come to live in relative harmony under one roof. The film features a recently widowed father and his daughter, Heike, on the German side; and a childless English couple who lost their child during the Blitz. Both deeply bereaved, the fictional families become embroiled in affairs and assassinat­ion attempts.

Although life wasn’t nearly as dramatic for the Brooks and Ladiges, it was certainly out of the ordinary.

“It’s a lost little bit of history,” says Rhidian Brook, who adapted his father Kim’s story for the screenplay and a novel of the same name. “Really, mine was a story about how you balance the need for forgivenes­s with that for justice; how you recreate and reconstruc­t something that is broken at the micro-relational and macro-country levels. There

were very stern rules about not fraternisi­ng with the Germans,” Kim recalls. “This was a rule I thought didn’t apply to me – so I started talking to the neighbours.” We meet the morning following The Aftermath

premiere, and Kim, now 80, is sipping coffee and scrolling through pictures from the family’s four-and-a-half-year stay in Germany. He is awestruck at how far his story – one that he has long passed down to his four children and grandchild­ren – has taken him.

“I was almost a wild child,” says Kim, recalling how he would roam nearby fields, making friends with the children who crossed his path and ignoring the caution his older brother and sister exercised. “There was a German family nearby who were quite posh. The girl had been a Hitler

Mädchen and her brother a member of Hitler Youth. They tried very hard to be friendly with us, but my brother and sister weren’t having it.”

Home was a grand, yellow mansion outside Hamburg, where there was a “cool and correct” relationsh­ip between the Ladiges and Brooks, the former moving to the top of the house while the latter requisitio­ned the ground floor. Dividing them both was a sweeping staircase overlooked by a stained-glass window.

“The house was smaller than in the film, but more exquisite,” says Kim. It had a columned façade and sweeping garden, with a sun lounge, spacious reception rooms and grand piano inside. In the garden, a Union flag flew atop a towering flagpole.

Kim’s father, Walter, knew as early as 1943 that he would be sent to Hamburg if the Allies won, as part of Britain’s plan to re-establish order in cities destroyed by the Nazi Party.

“It was chaos in Germany,” says Kim. “The Allies were determined we wouldn’t allow any former Nazis to be in positions of responsibi­lity or control.”

Walter governed in the style of his hero, Lawrence of Arabia, with whom he had served in the Middle East during the First World War. “The idea of being able to unite the Arabs went deep with my dad and informed his philosophy,” says Kim.

If anyone ever questioned Walter’s amicable relationsh­ip with the Ladige family, or the German people he worked with day-to-day, he would say: “I’m the governor and my job here is to rebuild and reconcile. It’s not about revenge.” He was soon given the nickname “Brücke”, meaning bridge.

As a young boy, Kim wasn’t engaged with the situation in Germany, although he does vividly remember the drive from Hamburg station to the house.

“Mile after mile, you couldn’t see a house standing,” he says. “Most of the ruins had black crosses on them to signify they still had bodies inside. That hit me.”

Kim spent the majority of his time in the countrysid­e, being homeschool­ed in the mornings, then left to his own devices. He soon became friends with the seven-yearold Heike, after challengin­g her to a snowball fight. Looking at a picture of the two of them covered in snow, he smiles and says: “We weren’t exactly childhood sweetheart­s, we were too young. But we were firm friends.”

Following Kim’s friendship­s and groundwork, any tension that may have arisen from living with a German family eventually subsided on Christmas Eve 1947. The Brooks invited the Ladiges for a drink. For the occasion, the six children dressed in sheets for a carol service.

“We sang Silent Night in German and tears were rolling down the cheeks of all the adults,” says Kim. “That was the moment when the ice really broke. [From there], the relationsh­ip between the families moved on to a much greater understand­ing and respect. It was very warm in the end.”

On a visit to Germany in 2011 with Rhidian, who was researchin­g for

The Aftermath, Kim reunited with Heike and Theo, who revealed that the Ladige family had referred to him in those years as the “icebreaker”. Theo treated Kim and Rhidian to dinner and a show in a box at the Hamburg opera, while Heike made them a home-cooked meal in what he describes as a “wonderful” reunion.

“I was very touched by that,” he says. “Heike was in tears when we left.”

What made Rhidian want to retell his father’s story was its celebratio­n of those forgotten in history books: “The peacemaker­s, the people who build bridges and buildings, and who rehabilita­te humans.”

Rhidian says: “They say history is written by the victors, but it’s also written by those who shout the loudest. This bit of history – which is constructi­ve, rather than destructiv­e – is also important.”

After the leaving the Pinneberg house in 1951, Kim went on to join the Army and was posted in Germany, before moving back to London to work for IBM. He now lives in Brecon, Wales, with his third wife, Sue, a former television presenter. They met for the first time when Kim bought Sue’s house. (“She moved out, took my money and, six months later, moved back in again,” he laughs.) Reflecting on the story now, Kim hopes his family’s story could help maintain a friendship with our neighbours after Brexit. “My parents’ generosity,” he says, “is an example of how we can learn to live with those who we have been at odds with.”

‘We sang Silent Night in German and tears were rolling down the cheeks of all the adults’

 ??  ?? The Aftermath is in cinemas from tomorrow
The Aftermath is in cinemas from tomorrow
 ??  ??
 ??  ??
 ??  ?? Winning the peace: Keira Knightley, Alexander Skarsgård and Jason Clarke in The Aftermath. Below, Kim Brook (right) and son Rhidian and the Brooks family, left, outside the Ladiges’ Hamburg mansion, top right
Winning the peace: Keira Knightley, Alexander Skarsgård and Jason Clarke in The Aftermath. Below, Kim Brook (right) and son Rhidian and the Brooks family, left, outside the Ladiges’ Hamburg mansion, top right

Newspapers in English

Newspapers from United Kingdom