The Daily Telegraph

No 10 warns over black-only play that public-funded art is for all

- By Craig Simpson

A TAXPAYER-FUNDED theatre has hosted a play for an all-black audience,

The Telegraph can disclose, as Downing Street said arts funded by the public should be open to all.

The concept of “black out” shows specifical­ly for all-black audiences was trialled by US writer Jeremy O Harris during the Broadway run of Slave Play, and the idea will be transferre­d to the West End with the show in the summer, it emerged this week.

But a spokesman for the Prime Minister described plans for the West End venues to host such performanc­es – which claim to protect “black-identifyin­g” ticket holders from the “white gaze” – as “divisive”.

No 10 has also raised concerns on behalf of taxpayers, after The Telegraph discovered a London theatre receiving an annual £150,000 in public funding via the Arts Council staged its own show for an “all-black audience”.

The partly subsidised Yard Theatre staged a new play called Samuel Takes a Break in a show “specifical­ly for black audiences” on Feb 28.

The show came amid criticism of plans for Harris’s Tony Award-nominated Slave Play to offer two performanc­es at the Noël Coward Theatre in the West End for all-black spectators.

A spokesman for Mr Sunak warned that “restrictin­g audiences on the basis of race would be wrong and divisive”, adding that “the arts should be inclusive and open to everyone, particular­ly where those arts venues are in receipt of public funding”.

No 10 has made clear that taxpayers will have an expectatio­n that the art they fund will be open to all.

A Tory source said that “this kind of racial segregatio­n has no place in modern Britain”, adding that “if there were ‘white-only’ performanc­es, the Left would rightly be up in arms”.

The Yard Theatre’s “black out” event aimed to promote Samuel Takes a Break, which is about a tour guide at a slave fortress in Ghana, written by Rhianna Ilube.

The event was described as “an evening programmed for an all-black audience to collective­ly engage with the show”, and booking guidance confirmed that it was “a performanc­e programmed specifical­ly for black audiences”.

The theatre receives £150,000 annually from the taxpayer-funded Arts Council, accounting for about 10 per cent of its income, and has also benefited from a £250,000 Covid Cultural Recovery Fund grant.

The council insists that its associated organisati­ons ensure diversity and accessibil­ity.

Nickie Aiken, the Tory MP for Cities of London and Westminste­r, said: “When we face increased race tensions in this country the last thing our theatres should be doing is promoting segregatio­n.

“The arts should be a place where people from all background­s come together to watch plays, particular­ly those which highlight powerful and difficult subjects.”

The idea of a black-only performanc­e has been tried before in London, when white people were urged not to attend a Theatre Royal Stratford East performanc­e of the racial satire Tambo &

Bones.

The Yard Theatre has been contacted for comment.

The producers of Slave Play said their “intent is to celebrate the play with the widest possible audience”.

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